Sarah Morris

Born 1967 [American]
Lives in New York

Brown University, B.A.

Jesus College, Cambridge University

Whitney Museum of American Art Independent Study Program


American Academy in Berlin, Berlin Prize Fellow

Joan Mitchell Painting Award


Solo Exhibitions

Means of Escape, White Cube Bermondsey, London, UK

Sarah Morris with Alexander Kluge: Cats and Ghosts, Konig Galerie Berlin, Germany

Today we find ourselves at an impasse,
Fortes D’Aloia & Gabriel, Carpinataria, Rio de Janeiro, Brazil
Machines do not make us into Machines
, White Cube, London

Midtown Paintings 1998-2001, Petzel, New York
Your Words Become Mine, Meyer Kainer, Vienna, Austria
The Odysseus Factor, UCCA, Beijing, China
Sawdust and Tinsel, Contemporary Art Center, New Orleans
Your Words Become Mine, White Cube, Hong Kong, China
Sarah Morris, Berggruen Gallery, San Francisco

Sarah Morris, EMMA – Espoo Museum of Modern Art, Espoo, Finland
Cloak and Dagger, Capitain Petzel, Berlin, Germany
Finite and Infinite Games, Petzel, New York
Falls Never Breaks, Kunsthalle Wien, Vienna, Austria

Falls Never Breaks, Kunsthalle Wien, Vienna, Austria
Hellion Equilibrium, Dirimart, Istanbul, Turkey
Lower Manhattan Expressway, 8, rue Saint-Bon, Paris, France
Astros Hawk
, M Museum, Leuven, Belgium

Astros Hawk, M Museum, Leuven, Belgium
Galeria do Rock, White Cube, Sao Paulo, Brazil
Rio, Galeria Fortes Vilaca, Sao Paulo, Brazil

Once a Thief, Air de Paris, Paris, France
Strange Magic, Fondation Louis Vuitton, Paris
1972, Pollock Gallery, Southern Methodist University, Dallas

Academia Militar, Friedrich Petzel Gallery, New York
Jardim Botânico [Rio], Kunsthalle Bremen, Bremen, Germany
Bye Bye Brazil, White Cube Bermondsey, London, United Kingdom

Mechanical Ballet, Musée National Fernand Léger, Biot, France
Points on a Line
, Wexner Center for the Arts, Columbus

Two Erasing Principles, Dirimart Gallery, Istanbul, Turkey
John Hancock, Capitain Petzel, Berlin, Germany
Personal Best, Air de Paris, Paris, France

It’s All True, Galerie Meyer Kainer, Vienna, Austria
, K20 Kunstsammlung Nordrhein-Westfalen Museum, Düsseldorf, Germany
Gateway, Gateway School for Sciences, Queens
Clips, Knots, and 1972, Gallery Hyundai, Seoul, Korea

General Control, Friedrich Petzel, New York
China 9, Liberty 37, Museo d’Arte Moderna di Bologna, Italy
Gemini Dressage, Museum für Moderne Kunst, Frankfurt, Germany

Black Beetle, Fondation Beyeler, Riehan/Basel, Switzerland
1972, Städtische Galerie im Lenbachhaus, Munich, Germany
Lesser Panda, White Cube, London, United Kingdom

The Towne Index, Air de Paris, Paris, France
Robert Towne, Ring Paintings, and Origami, Friedrich Petzel, New York
Chinatowns, Galerie Max Hetzler, Berlin, Germany

Robert Towne, Lever House, New York
A Severe Insult to the Brain, Galerie Meyer Kainer, Vienna
Sarah Morris, Museum Boijmans Van Beuningen, Rotterdam

Endeavor, Palais de Tokyo, Paris
To Film a Thought In Action, Moderna Museet, Stockholm, Sweden
Los Angeles, Kestner Gesellschaft, Hannover, Germany
Sarah Morris, Aldrich Museum, Ridgefield
Los Angeles, Friedrich Petzel, New York
Sarah Morris, New Works on Paper, Galerie Aurel Scheibler, Berlin, Germany

If Direction is a Look (with Matthew Brannon), Galerie Javier Lopez, Madrid, Spain
Bar Nothing, Galerie Max Hetzler, Berlin, Germany
Los Angeles, White Cube, London, United Kingdom
Sarah Morris, The Ballroom, Marfa
Sarah Morris, Kunstforeningen, Copenhagen, Denmark
Department of Water and Power [Los Angeles], Museum der Moderne, Salzburg, Switzerland

Lost Weekend
, Friedrich Petzel Gallery, New York
Orchid Lounge, Air de Paris, Paris, France

Sarah Morris: Miami, Miami MOCA
Capital, Site Santa Fe, Santa Fe
Cinecity: The Films of Sarah Morris, Hirshhorn Museum, Washington, D.C.
Rock Creek, Galerie Meyer Kainer, Vienna, Austria
At Speed (with Darren Almond), Galerie Max Hetzler, Berlin, Germany

Crystal, Friedrich Petzel Gallery, New York
Dulles, Galerie Aurel Scheibler, Cologne. Germany
, Nationalgalerie im Hamburger Bahnhof, Hamburg and Museum für Gegenwart, Berlin, Germany

Sarah Morris, Kunsthalle Zürich, Zurich, Switzerland
Sarah Morris, Philadelphia Museum of Art, Philadelphia
Sarah Morris, Galerie für Zeitgenössische Kunst, Leipzig, Germany
Rumjungle, White Cube, London, United Kingdom

Sarah Morris, Friedrich Petzel Gallery, New York
Sarah Morris, Museum of Modern Art, Oxford, United Kingdom

Galerie Max Hetzler, Berlin
Le Consortium, Centre D’Art Contemporain, Dijon, France

One False Move, White Cube, London, United Kingdom
, Galerie Philippe Rizzo, Paris, France Drawings, Anton Kern, New York

Try God, Nicole Klagsbrun, New York

Sarah Morris, Close-Up, New York

Citizens, Kunsthalle, New York


Selected Group Exhibitions


Faking the Real. Art of Seduction, Kunsthaus Graz, Austria
Color as Program
, Bundeskunsthalle, Bonn, Germany
Peinture: Obsolescence Déprogrammée, Musée de L’Hospice Saint-Roch, Issoudun, France
An Exhibition With Little Information, Museum of Contemporary Art Busan, South Korea
Weltenwanderer. Zeitgenössische Kunst aus der Schenkung Sammlung Hoffmann, Kulturhistorisches Museum Görlitz and Städtisches Museum Zittau, Germany
Soundwaves: Experimental Strategies in Art + Music, Moody Center for the Arts, Rice University, Houston, TX
Positive Fragmentation: From the Collections of Jordan D. Schnitzer and His Family Foundation, American University Museum at the Katzen Arts Center, Washington, DC

Desde el Salón (From the Living Room) Sol Calero selects from the Hiscox Collection, Whitechapel Gallery, London, UK
Adam, Eve and the Serpent – Works from the Hoffmann Collection donation”, Bundeskunsthalle, Bonn, Germany
Creating (my) Order in the World – A selection from the Ernst Ploil Collection, Landesgalerie Niederösterreich / State Gallery of Lower Austria, Austria
Am Ende diese Arbeit, Galerie für Zeitgenössische Kunst, Leipzig, Austria

Berardo Collection from the First Modernism to the new Avant-gardes of the 20th Century, Museo Coleção Berardo, Lisbon, Portugal
A Possible Horizon, de la Cruz Collection, Miami, United States
The Essl Collection, Albertina Modern, Vienna, Austria
Infinite Games, Capitain Petzel, Berlin, Germany
Artists for New York,
 Hauser and Wirth, New York
Community Board
, Petzel Online Exhibition
Babel, White Cube Online Exhibition
It’s Urgent! curated by Hans Ulrich Obrist, Luma Arles, Arles, France
Rhizome 7/7 IRL, Capitain Petzel, Berlin, Germany
Rhizome 7/7 Moving Images, Capitain Petzel Online Exhibition
21st Century Landscapes, Petzel Gallery, New York, USA
Acervo em Transformação [Picture Gallery in Transformation], Sao Paulo Museum of Art, Sao Paulo, Brazil
Creating (My) Order in the World: Selected Works from the Ernst Ploil Collection, Landesgalerie Niederösterreich / State Gallery of Lower Austria, Krems an der Donau, Austria
Am Ende diese Arbeit, Galerie für Zeitgenössische Kunst Leipzig, Germany

Alexander Kluge – Die Macht der Musik, Kunsthalle Weishaupt, Ulm, Germany
Komumuma, Air de Paris, Romainville, France
Starting Something New: Recent Contemporary Art Acquisitions and Gifts, 
Mead Art Museum at Amherst College, Amherst
Ad Infinitum,
Dirimart, Istanbul, Turkey
, Deichtorhallen Hamburg, Germany
Paralympic Heritage – Stories from Bradford, Bradford Museum & Galleries, United Kingdom
Das Neue Alphabet (The New Alphabet), Haus der Kulturen der Welt, Berlin, Germany

Salm Modern #1: Dimensions of Dialogue, Salm Palace, Prague
Pop Minimalism | Minimalism Pop, Presented by Gagosian and Jeffrey Deitch, Miami
An American City: Eleven Cultural Exercises, FRONT International: Cleveland Triennial for Contemporary Art, Cleveland
The Vitalist Economy of Painting: Galerie Neu, Berlin
Art and China after 1989: Theater of the World, Guggenheim, Bilbao
Art and China after 1989: Theater of the World, San Francisco Museum of Modern Art, San Francisco
An American City: Eleven Cultural Exercises, MCAC, Cleveland, Ohio

Petzel at Nanzuka, Nanzuka, Tokyo
Art and China after 1989: Theater of the World, Solomon R. Guggenheim, New York
How to Live Together, Kunsthalle Wein, Austria
Mentally Yellow, High Noon, Lenbachhaus, Munich, Germany
Elbphilharmonie Revisited, Deichtorhallen, Hamburg, Germany
Elevation 1049, Train “Monarch”, Gstaad, Switzerland
WE NEED TO TALK…, Petzel, New York
Pluriversum – Alexander Kluge, Museum Folkwang, Essen, Germany
Mies van der Rohe. Die Collagen aus dem MoMA, Ludwig Forum Aachen, Aachen, Germany
Mentales Gleb. Sonnenhöchststand, Lenbachhaus, Munich, Germany
Flatland/ Abstractions Narratives #2, Kerlin Gallery, Mudam, Luxembourg 

Mies v an der Rohe. Die Collagen aus dem MoMA, Ludwig Forum Aachen, Aachen, Germany
The Present Order, Galerie für Zeitgenössische Kunst in Leipzig, Leipzig, Germany Wall to Wall: Carpets by Artists, Curated by Dr. Cornelia Lauf, Museum of Contemporary Art Cleveland
My abstract world, Curated by Thomas Olbricht, me Collectors Room, Berlin, Germany
Surface and Beyond, Dirimart Dolapdere, Istanbul, Turkey Lexicon, Gagosian Gallery of Paris, Paris, France
Material Considerations, John Berggruen Gallery, San Francisco, California
Tertúlia, Galeria Fortes Vilaça, São Paulo, Brazil
Munich 1972, Het Nieuwe Instituut, Rotterdam, The Netherlands
Drawing ROOM, David Nolan Gallery, New York

Geometric Obsession. American School. 1965-2015. Museo de Arte Contemporáneo Buenos Aires
Women and Abstraction
, Cornell Fine Arts Museum, Winter Park
Explorations in Space – 12 Months/12 Films, Museum Folkwang, Essen, Germany
I Like America, SCHAUWERK Sindelfingen, Sindelfingen, Germany
Summer Show, Galerie Clemens Gunzer Kitzbühel, Kitzbühel, Germany
Sweet Smell of Success, New York Hilton Midtown, New York
Touch, EMMA – Espoo Museum of Modern Art, Espoo, Finland
Patterns of Abstraction, John Berggruen Gallery, San Francisco
Une histoire, art, architecture et design, des années 80 à aujourd’hui, Centre Pompidou, Paris, France
The Adventures of the Black Square: Abstract Art and Society 1915-2015
, Whitechapel Gallery, London, United Kingdom
Tribute to an Avenue 2015, Sculpture International Rotterdam, Rotterdam, The Netherlands
What Is To Come Has Already Arrived, Museo de Arte Contemporaneo de Castilla y Leon, Leon, Spain

Queensize — Female Artists from the Olbricht Collection, Me Collectors Room, Berlin, German
The Collection: First Exhibition, Fondation Louis Vuitton, Paris, France
A Global Exchange: Geometric Abstraction Since 1950, Frost Art Museum, Miami
Encountering the City: The Urban Experience in Contemporary Art, Kemper Art Museum, St. Louis
The Surface of the World, Museum of Contemporary Art & Design, Manila, Philippines
What Is To Come Has Already Arrived,  Centro Andaluz de Arte Contemporáneo, Seville, Spain
Brown University 250th Anniversary Alumni Exhibition, David Winton Bell Gallery, Brown University, Providence
Above and Below the Surface, Eight Artists, John Berggruen Gallery, San Francisco
Jadim Botânica (Rio), Kunsthallen Bremen, Bremen, Germany
8 Artists, John Berggruen Gallery, San Francisco

Wall Works, Hamburger Bahnhof Museum für Gegenwart, Berlin, Germany
Planos de Expansão, Galeria Fortes Vilaça, São Paulo, Brazil
CITY SELF, Museum of Contemporary Art Chicago, Chicago
An Enormous Speed of Change, Hoog Catharijne & Utrecht Central Station, Utrecht, The Netherlands
Art After 1945, Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany
The Inside is on the Outside, Glass House of Lina Bo Bardi, São Paulo, Brazil
As Above, So Below, Vitamin Creative Space, Beijing, China
Go! You sure? Yeah., LUMA Westbau, Zurich, Switzerland
Under Pressure: Contemporary Prints from the Collections of Jordan D. Schnitzer and His Family Foundation, Utah Museum of Fine Arts, Utah

2012 Everything Falls Apart, Artspace, Sydney, Australia
Only Parts of Us Will Ever Touch Parts of Others, Galerie Thaddaeus Ropac, Paris, France
Decade: Contemporary Collecting 2002 – 2012
, Albright-Knox Art Gallery, Buffalo
A Global Exchange: Geometric Abstraction since 1950, Museo de Arte Contemporáneo, Buenos Aires, Argentina
The Feverish Library, Friedrich Petzel Gallery, New York
Air de Paris Summer Show
, Art & Rapy, Monaco
Looking Back for the Future
, Kunsthalle Zürich, Zürich, Switzerland
Rasterfahndung. Das Raster in der Kunst nach 1945
, Kunstmuseum Stuttgart, Stuttgart, Germany
How Physical
, Yebisu International Festival for Art & Alternative Visions, Tokyo, Japan Metropolitan Museum of Photography, Tokyo, Japan

Now: obras de La Colección Jumex, Hospicio Cabañas, Mexico City, Mexico
Envisioning Buildings: Reflecting Architecture in Contemporary Art, MAK, Vienna, Austria
Zwei Sammler: Thomas Olbricht und Harald Falckenberg, Deichtorhallen Internationale Kunst und Fotografie, Hamburg, Germany
Art & Stars & Cars, Mercedes-Benz Museum Stuttgart, Stuttgart, Germany
Internal/External Affairs, Residence of the Ambassador of the United States of America to Germany, Berlin, Germany
MMK 1991–2011: 20 Years of Presence, MMK Museum für Moderne Kunst, Frankfurt am Main, Germany
Videosphere: A New Generation, Albright-Knox Art Gallery, Buffalo
Art and Context, Berezdivin Collection: Espacio 1414, Santurce, Puerto Rico

Contemplating the Void: Interventions at the Guggenheim Museum, Guggenheim Museum, New York
Funktionen auf Papier, Museum fur Moderne Kunst, Frankfurt, Germany
Pictures about Pictures. Discursive painting from Albers to Zobernig, MUMOK, Vienna, Austria
Los Angeles, Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
Where Do We Go From Here? Selections from La Colección Jumex, Bass Museum of Art, Miami
Nether Land, Dutch Culture Center, Shanghai, China
Kupferstichkabinett: Between Thought and Action, White Cube, London, United Kingdom
Trust, Media City, Seoul, Korea
Architecture on Film, Barbican Centre, London, United Kingdom
Sin Techo Esta Pelon, University of Guanajuato, Mexico City, Mexico

The Kaleidoscopic Eye: Thyssen-Bornemizsa Art Contemporary Collection, Mori Art Museum, Tokyo, Japan
Director’s Choice, Essl Museum, Vienna, Austria
Mit dem Fahrrad zur Milchstraße. Werke zeitgenössischer Kunst aus der Sammlung Hoffmann, Kunsthalle im Lipsiusbau, Dresden, Germany
20th Anniversary Show, Nicole Klagsbrun Gallery, New York
Morality, Witte de With Center for Contemporary Art, Rotterdam, The Netherlands
KunstFilmBiennale, KOMED Mediapark, Cologne, Germany
KunstFilmBiennale, Center Pompidou, Paris, France
, Kunstwerke, Berlin, Germany
Friends of Friends, SCI-Arc, Los Angeles 15 Years
Kunstmuseum Wolfsburg,
Wolfsburg, Germany

Pintura Abstracta Colectiva, Galeria Javier Lopez, Madrid, Spain
Jahresgaben, Kunstverein München, München, Germany
Peter Saville, Accessories to An Artwork, Paul Stolper Gallery, London, United Kingdom
As Long as it Lasts
, Mai 36 Galerie, Zurich, Switzerland
Walls in the Street, Museum of Contemporary Art, Belgrade, Serbia
Delirious Beijing, PKM Gallery, Beijing, China
The Enterprise of Art, PAN Palazzo delle Arti Napoli, Naples, Italy
Beyond Measure: Conversations Across Art and Science, University of Cambridge, Cambridge, United Kingdom
Here and Now, Regina Gallery, Moscow, Russia
Not So Subtle Subtitle, Casey Kaplan, New York
Rhythmus 21 – Position Des Abstrakten, Städtische Galerie im Lenbachhaus, Munich, Germany
KunstFilmBiennale, Cologne, Germany
Always There, Max Hetzler Gallery, Berlin, Germany
Moscow on the Move, the Garage Centre for Contemporary Art, Moscow, Russia
Worlds on Video, La Fondazione Palazzo Strozzi, Florence, Italy

Franz West: Souffle, Kunstraum Innsbruck, Innsbruck, Austria
Intocable, Patio Herreriano Valladolod, Valladolid, Mexico
Rockers Island, Olbricht Collection, Museum Folkwang, Essen, Germany
German Histories, Galerie für Zeitgenössische Kunst, Leipzig, Germany
Abstract Art Now 2, Wilhelm Hack-Museum, Ludwigshafen
Very Abstract and Hyper Figurative, Museum of Modern Art and Western Antiquities, London, United Kingdom
Generational Issue, Centro Galego de Arte Contemporanea, Santiago de Compostela, Spain
When We Build Let Us Think That We Build Forever, BALTIC Centre for Contemporary Art, Gateshead, United Kingdom
Tomorrow, Kumho Museum of Art, Seoul, South Korea
Everstill, Philip De Lorca House, Granada, Spain
New York States of Mind, House of World Cultures, Berlin, Germany
Scape, Mongin Art Center, Seoul, Korea
Contemporary Galleries Collection, San Antonio Museum of Art, San Antonio
Create Your Own Museum, Gary Tatintsian Gallery, Inc, Moscow, Russia
MAM Collectors Council Acquisitions, New Work Gallery, Miami
An Exhibition From the Collection, Galerie für Zeitgenössische Kunst, Leipzig, Germany
What is Painting?, Museum of Modern Art, New York
The Shapes of Space, Guggenheim Museum, New York
Perspektiv 07, Städtische Galerie im Lenbachhaus, Munich, Germany
Abstraction: Extracting From Reality, Sheffield Galleries & Museums Trust, Sheffield, United Kingdom
An Incomplete World: Works from the UBS Art Collection, Art Gallery of New South Wales, Australia
Urban Portraits, Cinema Arenberg, Argos, Greece
KunstFilmBiennale 2005 Touring Program, Istanbul Museum of Modern Art, Istanbul, Turkey
Mapping the City, Stedelijk Museum, Berlin, Germany
Carte Blanche, Cinematheque Ontario, Toronto, Canada
Contrechamp, le Cinématographe, Nantes, France
Films of Sarah Morris, Guggenheim Museum, New York

IDYLLE, Sammlung Falckenberg, Hamburg; Narodni Galerie v Praze, Prague, Czech Republic
Domus Artium 2002, Salamanca, Spain
Abstract Art Now 2, Wilhelm Hack-Museum, Ludwigshafen, Germany
Untouchable, Villa Arson, Nizza, France
Since 2000: Printmaking Now, MoMA, New York
Ordnung und Verführung, Haus Konstruktiv, Zurich, Switzerland
Full House, Kunsthalle Mannheim, Mannheim, Germany
Supernova, Galeria Jana Koniarka, Trnava, Slovakia
11ème Biennale de l´Image en Mouvement, GenCentre pour l’image contemporaine, Paris, France
Out of Time: A Contemporary View, MoMA, New York
Busy going Crazy: The Sylvio Perlstein Collection, Art and Photography from Dada to the Present Day, La Maison Rouge, Paris, France
all hawaii eNtrées / luNar reggae, Irish Museum of Modern Art, Dublin, Ireland
Carbonic Anhydride, Galerie Max Hetzler, Berlin, Germany
This is America, Centraal Museum, Utrecht, The Netherlands
Art and Football at the German Bundestag, Deutschen Bundestag, Berlin, Germany
Le Parcours Contemporain, Musée d’Art Moderne de la Ville de Paris, Paris, France
Stage of Life: Rhetorics of Emotion, Städtische Galerie im Lenbachhaus, Munich, Germany
Ordering and Seduction, Haus Konstructiv, Zurich, Switzerland
Urban Studies, Norwegian Short Film Festival, Oslo, Norway
Highlights from the KunstFilmBiennale, Köln in Berlin, Kunst-werke, Berlin, Germany
Artist In Focus, International Film Festival of Rotterdam, Rotterdam, The Netherlands
Video Ex Festival, Zurich, Switzerland

En/Of, Museum Kurhaus Kleve, Kleve, Germany
Print Projects, Houldsworth Gallery, London, United Kingdom
Generation X, Kunstmuseum, Wolfsburg, Germany
Los Angeles Drawings, Galerie Aurel Scheibler, Berlin, Germany
Goetz Meets Falckenberg, Sammlung Falckenberg, Hamburg, Germany
Nach Rokytnik, Museum Moderner Kunst Stiftung Ludwig, Vienna, Austria
Minimalism and After IV, DaimlerChrysler Contemporary, Berlin, Germany
In Print: British Contemporary Art from the Paragon Press, National Art Gallery, Kuala Lumpur, Malaysia
Wittgenstein in New York, Kupferstichkabinett Kulturforum Potsdamer Platz, Berlin, Germany
Commotion/Scriptless Utopia, 2005 – 2006, Arnolfini, Bristol; Chapter, Cardiff, United Kingdom
Kunst Film Biennale, Museum Ludwig Cinema, Cologne, Germany
Ambiance – Auf beiden Seiten des Rheins, K21 Düsseldorf, Germany
The Mind is a Horse (Part 2), Gallery Bloomberg, London, United Kingdom
Extreme Abstraction, Albright-Knox Art Gallery, Buffalo
Big Bang, Centre Pompidou, Paris, France
Radiodays, Bandes Originales, De Appel, Amsterdam, The Netherlands
U_MOVE Utopia e imagine in movimento, Galleria Comunale d’Arte Contemporanea, Monfalcone, Italy
Contemporary Voices: Works from the UBS Art Collection, MoMA, New York
Now’s the Time, Kunsthaus Graz, Graz, Switzerland
Present Perfect, Friedrich Petzel Gallery, New York
Supernova, Bunkier Sztuki, Poland; Tallin Kunstihoone, Estonia; ESPOO, Finland
CAC, Vilnius, Lithuania
Vanishing Point, Wexner Center for the Arts, Columbus
Populism, Contemporary Art Centre, Vilnius; National Museum, Oslo
Kunstverein, Frankfurter Kunstverein, Frankfurt, Germany and Stedelijk Museum, Amsterdam, The Netherlands
Graz Biennial of Media and Architecture, Graz, Switzerland
Biennale of the Moving Image, Geneva; Centre Pompidou, Paris, France
Scriptless Utopia, Arnolfini, Bristol, United Kingdom
May You Live in Interesting Times, Chapter, Cardiff, United Kingdom
Frieze Projects: Artist’s Cinema, Frieze Art Fair, London, United Kingdom
KunstFilmBienale, Cologne, Germany

The Pattern Playback, The Moore Space, Miami
La Lettre Volée, FRAC, Dijon, France
Somwhere Collections sans Frontières III, The Fruitmarket Gallery, Edinburgh, United Kingdom
Portrat ohne Antlitz, Kunsthalle zu Kiel, Kiel, Germany
3’, Schirn Kunsthalle Frankfurt, Frankfurt am Main, Germany Off the Record – Sound Arc, Arc/Musée d’Art Moderne de la Ville de Paris, Paris, France
Heisskalt, Staatsgalerie, Stuttgart, Germany
Framing Spatial Experiences, San Francisco Cinemateque, San Francisco
Treasure Island, 10 Jahre Sammlung Kunstmuseum, Kunstmuseum Wolfsburg, Wolfsburg, Germany
One Channel Only, The Contemporary Art Galleries, University of Connecticut, Storrs
The Films of Sarah Morris, National Film Theatre, London, United Kingdom
Canarias Media Fest 2004, Canary Islands, Spain

8. Baltic Triennial, Vilnius, Lithuania
Abstraction Now, Künstlerhaus, Vienna, Austria
Embracing the Present, Phoenix Art Museum, Phoenix
Fast Forward, Sammlung Goetz, ZKM, Center for Art and Media, Karlsruhe, Germany
Adorno, The Possibility of the Impossible, Frankfurt Kunstverein, Frankfurt, Germany
Platform for Art, London Underground, London, United Kingdom
Novageometria, Galeria FortesVillaca, Sao Paolo, Brazil
Imagination –Perception in Art
, Kunsthaus Graz an Landesmuseum Joanneum, Graz, Switzerland
Nation, Frankfurter Kunstverein, Frankfurt, Germany
Heisskalt – Aktuelle Malerei aus der Sammlung Scharpff
, Hamburger Kunsthalle, Hamburg, Germany
Hotel Hotel, Landesgalerie, Linz, Austria
Urban Dramas, deSingel, Antwerp, The Netherlands
Open Art At Regent’s Place, British Land, London, United Kingdom
Up to Now: Treasures from the Collection, Stedelijk Museum, Amsterdam, The Netherlands
3-D, Friedrich Petzel Gallery, New York
Sodium Dreams, Bard College, Annandale on Hudson, New York
Berlin 1994-2003, Galerie Max Hetzler, Berlin, Germany
Abstract Painting, Städtisches Museum Leverkusen Schloss Morsbroich, Leverkusen, Germany
Question, Magasin, Centre National d’Art Contemporain, Grenoble and Galerie Max Hetzler, Berlin, Germany
Site Specific, MCA, Chicago Cool Lustre, Collection Lambert, Avignon, France
Form-Specific, Moderna Galerija, Ljubljana, Slovenia
Days like These: The Tate Triennial Exhibition of Contemporary British Art, Tate Britain, London, United Kingdom
Architecture Schmarchitecture, Kerlin Gallery, Dublin, Ireland
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg, Germany
Ice Hot – Recent Painting from the Scharpff Collection, Hamburger Kunsthalle, Hamburg, Germany Mediascape, MoMA, Gramercy Theater, New York

That Place, The Moore Space, Miami
Premio Bella Incisione, Bella Print Bienalle, Biella, Italy
Culture meets culture
, Busan Biennale 2002, Busan, South Korea
Thinknot, Christopher Farr Gallery, London, United Kingdom
Urgent Painting, ARC Musée d’Art Moderne de la Ville de Paris, Paris, France
Painting on the Move, Kunstmuseum Basel, Museum für Gegenwartskunst Basel, Switzerland
Ruina e Utopia, Centro Cultural Banco do Brasil, Brasilia, Brazil
Iconografias Metropolitanas, 25th Sao Paulo Biennal Centro Cultural Banco do Brasil, Brasilia, Brazil
Rapture: Art’s Seduction by Fashion since 1970, Barbican Art Gallery, London, United Kingdom
Center of Attraction
, 8th Baltic Triennale of Contemporary Art, Vilnius, Lithuania
Supernova Art of the Nineties from the Logan Collection
, SF MOMA, San Francisco
Le Paysage dans L’Art D’Aujourd’Hui
, La Maison de la Culture de Bourges, Bourges, France
, Demokratie als Auftraggeber/Kunstwettbewerbe der Landeshauptstadt München, Munich, Germany Public Affairs, Kunsthaus Zürich, Zurich, Switzerland
Projects 77, MoMA, New York Minimalism and After, Sammlung Daimler Chrysler, Berlin, Germany

Beau Monde: Toward a Redeemed Cosmopolitan, Site Santa Fe Fourth Annual Biennial, Santa Fe
Wild Walls, MAK Center, Schindler House, Los Angeles
Hybrids, Tate Liverpool, Liverpool, United Kingdom
UK in NY, British-Consul General, New York
Within/Without, Kunstmuseum Bern, Bern, Switzerland
Comfort: Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art, Cleveland
Casino 2001: Ist Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and Bijloke, Gent, Belgium
Playing Amongst the Ruins, Royal College of Art, London, United Kingdom
Shopping, Generali Foundation, Vienna, Austria
The Mystery of Painting, Sammlung Goetz, Munich, Germany
Beautiful Productions, Whitechapel Art Gallery, London, United Kingdom
A Pied D’Oeuvre, Bibliothèque Nationale de France, Paris, France
Die Sammlung Olbricht Jeil 2, Ohne Zögern, Gesellschaft für Aktuelle Kunst Bremen, Germany
Olav Chr. Jenssen, Sarah Morris, Carroll Dunham, Atle Gerhardsen, Berlin, Germany

Glee: Painting Now, Aldrich Museum of Contemporary Art, Palm Beach Institute of Contemporary Art, Palm Beach
, Van Abbemuseum, Eindhoven, The Netherlands
What If: Art on the Verge of Architecture and Design
, Moderna Museet, Stockholm, Sweden
Homes, Art Gallery of Western Australia, Perth, Australia
Public Culture, Private Nature, Sommer Contemporary Art, Tel Aviv, Israel
The City, Nicole Klagsbrun Gallery, New York
Drawings and Photographs, Matthew Marks Gallery, New York
Projections, FRAC Bourgogne, Dijon, France
Robert Pearre Gallery, Tucson
Confusion, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart Berlin, Germany
The Song of the Earth, Museum Fridericianum, Kassel, Germany Girlfriend, Galerie für Zeitgenössische Kunst, Leipzig, Germany
AM/PM, Neue Nationalgalerie, Museum fur Gegenwart, Berlin, Germany
Flakk or that extraordinary sensation of being abroad, even when at home, Nordic House, Reykjavik, Icelan
Twisted: Urban and Visionary Landscapes in Contemporary Painting, Van Abbemuseum, Eindhoven, The Netherlands
Project 004, Friedrich Petzel Gallery, New York

Art Lovers, Liverpool Biennial, Liverpool, United Kingdom
Malerei, INIT Kunsthalle, Berlin, Germany
Between London and New York, Tache & Levy, Brussels, Belgium
Trans-sphere, FRAC, Poitou-Charentes, France
Le Capital, Centre Régionale d’Art Contemporain, Sète, France
Tang, Turner & Runyon, Dallas
Plug In, Salon 3, London, United Kingdom
Two Doors:True Value, Mai 36 Galerie/ Annemarie Verna, Zurich, Switzerland Aufnahmen, Österreichische Galerie Belvedere, Vienna, Austria
Concrete Ashtray, Friedrich Petzel Gallery, New York
, Institute of Contemporary Art, Boston
This is Yesterday, Centro Andaluz de Arte Contemporáneo, Spain
, University Galleries of Illinois State University, Illinois, MAC, Dallas, Chicago Cultural Center, Chicago, Atlanta College of Art Galleries, Atlanta
Painting Lab, Entwistle, London, United Kingdom

I Love New York: Crossover der aktuellen Kunst, Museum Ludwig, Koln, Germany
Dijon/Le consortium, Centres Georges Pompidou, Paris, France
VideoStore!, Bricks & Kicks, Vienna, Austria
Young Americans 2, Saatchi Collection, London, United Kingdom
Weather Everything
, Galerie für Zeitgenössische Kunst, Leipzig, Germany
Deep Thought, Basilico Fine Arts, New York
La Table, Air de Paris, Paris, France
Dumbpop, Jerwood Gallery, Jerwood Foundation, London, United Kingdom
Cluster Bomb, Morrison Judd, London, United Kingdom
Mostrato, Fuori Uso 98, Pescara, Italy
Narrative Urge, Uppsala Konstmuseum, Uppsala, Sweden

Hospital (organized by Sarah Morris), Galerie Max Hetzler, Berlin, Germany
Dramatically Different, Centre National d’Art Contemporain de Grenoble, Grenoble, Switzerland
Group Show: Miltos Manetas, Florence Manlik, Sarah Morris, Jack Pierson, Gary Simmons, Laurie Simmons, Georgina Starr
, Galerie Philippe Rizzo, Paris
Posture: A Survey of Contemporary Figuration
, David Klein Gallery, Birmingham
Painting, Photography, Drawing, Anton Kern Gallery, New York

Found Footage, Klemens Gasser & Tanya Grunert, Inc., Koln, Germany
Pop Planet, Theoretical events, Naples, Italy

Group Show (organized by Jeff Koons), Nicole Klagsbrun, New York
B – Movie
(organized by Sarah Morris), San Francisco Art Fair, Phoenix Hotel, San Francisco
More Than Real, Gallery 400, School of Art and Architecture, University of Chicago

Summer Group Show, Nicole Klagsbrun, New York
Please Don’t Hurt Me, Galerie Snoie, Rotterdam; Cabinet Gallery, London, United Kingdom

Lucky Kunst, Silver Place, London, United Kingdom
Home Alone, 211 East 10, New York
Evidently, Dooley Le Capellaine Gallery, New York
I Am The Annunciator, Thread Waxing Space, New York

Behind Bars, Thread Waxing Space, New York

Group Show, P.P.O.W., New York
Group Show, Postmasters Gallery, New York

Series, Postmasters Gallery, New York
Open Studio, Whitney Museum of American Art Independent Study Program, New York


Public Film Screenings

“Midtown”, Sammlung Goetz, Germany
“Sakura”, Kino Süd, Switzerland

“Midtown”, Kino Süd, Switzerland
“AM/PM”, Galerie für Zeitgenössische Kunst Leipzig, Germany
“Los Angeles”, Chateau Marmont, Los Angeles, United States

“Miami”Fondation Beyeler x Nordstern Basel, Do not sit on the furniture, Miami, United States
Sarah Morris: Three Short Films, “Midtown”, “Capital” and “Robert Towne”, Frankopan Hall at Jesus College Cambridge, United Kingdom
“Sakura”, Art Area B1, Nakanoshima Museum of Art, Osaka, Japan
“Abu Dhabi”, Dirimart, Istanbul, Turkey
“Finite and Infinite Games”, “Abu Dhabi”, and “Mimosa Tank”, White Cube, London, United Kingdom

“Alexander Kluge: Theory Like Swimming in the Storm” Belvedere21, Vienna, Austria
“Midtown”, Petzel Gallery, New York
“Finite and Infinite Games”, Luma Westbau, Zurich, Switzerland
“Abu Dhabi”, Guggenheim Abu Dhabi, UAE

“Finite and Infinite Games”, Serpentine Sackler Gallery, London
“Finite and Infinite Games”, Elbphilharmonie Revisited, Deichtorhallen Hamburg

“1972” and “Capital”, Artist Film Festival, Kino International, Berlin, Germany
“1972”, Het Nieuwe Instituut, Rotterdam, The Netherlands
“1972”, Cinémathèque Robert Lynen, Paris, France
“Miami”, M+ Museum, Hong Kong, China

“Strange Magic”, Art Basel Unlimited, Basel, Switzerland
“1972”, 5th Riwaq Biennale, Ramallah
“Beijing”, Whitechapel Gallery, London, United Kingdom
“Rio”, Galeria Fortes Vilaça, São Paulo, Brazil
“Midtown”, Sculpture International Rotterdam, Rotterdam, The Netherlands

“1972”, The Images Festival, Toronto, Canada
“Rio”, David Winton Bell Gallery, Brown University, Providence, France
“Points on a Line”, Centro Andaluz de Arte Contemporáneo, Seville, Spaom
“Los Angeles”, Kemper Art Museum, St. Louis
“Strange Magic”, Foundation Louis Vuitton, Paris, France
“Rio”, Air de Paris, Paris, France
“1972”, Pollock Gallery at Southern Methodist University, Dallas

“Rio”, Friedrich Petzel Gallery, New York
“Chicago”, Museum of Contemporary Art Chicago, Chicago
“Rio”, White Cube, London, United Kingdom
“Midtown”, Kunstmuseum Stuttgart, Stuttgart, Germany

“1972”, Nottingham Contemporary, Nottingham, United Kingdom
“Points on a Line”, Wexner Center for the Arts, Columbus
“Points on a Line”, Artspace, Sydney, Australia
“Points on a Line”, Filmmuseum, Munich, Germany
“Points on a Line”, Yebisu International Festival for Art & Alternative Visions, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
“Rio”, Locarno Film Festival, Locarno, Italy
“1972”, Artspace, Sydney, Australia
“AM/PM” and “Miami”, APNews, Zurich, Switzerland

“Chicago” and “Points on a Line”, Lo schermo dell’arte Film Festival, Florence, Italy
“Chicago”, Dirimart Gallery, Istanbul, Turkey
“Filmographie Sarah Morris”, St. Moritz Art Masters, St. Moritz, Switzerland
“Points on a Line”, Art Basel Unlimited, Basel, Switzerland
“Points on a Line”, Capitain Petzel Gallery, Berlin, Germany
“Chicago”, Babylon Cinema, Berlin, Germany

“Los Angeles”, Museo Reina Sofia, Madrid, Spain
“Beijing” and “1972”, Galerie Meyer Kainer, Vienna, Austria
“Beijing”, Witte de With, Rotterdam, The Netherlands
“Beijing”, Dutch Culture Center, Shanghai, China
“Beijing” and “1972”, Museum Berardo, Lisbon, Portugal
“Robert Towne”, Irish Museum of Modern Art, Dublin, Ireland
“1972”, Gallery Hyundai, Seoul, South Korea
“Beijing”, Media City, Seoul, South Korea
“Beijing”, Barbican Centre, London, United Kingdom
“Points on a Line”, Chicago Arts Club, Chicago
“Points on a Line”, Sotheby’s, New York

“Beijing”, KunstFilmBiennale, Cologne, Germany
“Beijing”, General Control, Friedrich Petzel, New York
“Beijing”, China 9, Liberty 7, Museo d’Arte Moderna di Bologna, Italy
“Beijing”, “Robert Towne”, “1972”, “Capital”, Gemini Dressage, Museum fur Modern Kunst, Frankfurt, Germany
“Robert Towne”, KunstFilmBiennale, Centre Pompidou, Paris, France
“Robert Towne”, KunstFilmBiennale, KunstWerke, Berlin, Germany
“Beijing”, SCI-Arc, Los Angeles

“Los Angeles”, Moscow on the Move, the Garage Centre for Contemporary Art, Moscow, Russia
“Los Angeles”, Worlds on Video, La Fondazione Palazzo Strozzi, Florence, Italy

“AM/PM”, “Midtown”, “Capital”, “Miami”, “Los Angeles”, “Robert Towne”, New York States of Mind, House of World Cultures, Berlin, Germany
“AM/PM”, “Midtown”, “Capital”, “Miami”, “Los Angeles”,  Urban Portraits, Cinema Arenberg, Argos, Greece
“AM/PM”, “Midtown”, “Capital, Miami”, “Los Angeles”, “Robert Towne” Kunstfilm Biennale, Cologne, Germany
“Los Angeles”, Kunst Film Biennale 2005 Touring Program, Istanbul Museum of Modern Art, Istanbul, Turkey
“Miami” and “Capital”, Mapping the City, Stedelijk Museum, Berlin, Germany
“Los Angeles”, Carte Blanche, Cinematheque Ontario, Toronto, Canada
“Capital”, Contrechamp, le Cinématographe, Nantes, France
Films of Sarah Morris, Guggenheim Museum, New York
“Robert Towne”, Whitechapel Gallery, London, United Kingdom
The Shapes of Space: The Films of Sarah Morris, Guggenheim Museum, New York
Cinema Arenberg Monthly Screenings, Cinema Arenberg, Brussels, Belgium
“Midtown”, International Film Festival, Rotterdam, The Netherlands

Urban Studies, Norwegian Short Film Festival, Oslo, Norway
Highlights from the KunstFilmBiennale, Köln in Berlin, Kunst-Werke, Berlin, Germany
Artist In Focus, International Film Festival of Rotterdam, Rotterdam, The Netherlands
“Capital” and “Los Angeles”, Video Ex Festival, Zurich, Switzerland
“AM/PM”, Rooftop Films, New York
“Los Angeles”, Gallerie Meyer Keiner, Vienna, Austria
“Capital”, Centraal Museum, Utrecht, The Netherlands
“Los Angeles”, Lenbachhaus, Munich, Germany
“Los Angeles”, Musee d’Art Moderns (ARC), Paris, France
“AM/PM”, La Casa Encendida, Madrid, Spain

“Los Angeles”(3’ version), online magazine
“Los Angeles”, Graz Biennial of Media and Architecture, Graz, Austria
All 5 films of Sarah Morris, Biennale of the Moving Image, Geneva; Centre Pompidou, Paris
“Los Angeles,” Scriptless Utopia, Arnolfini, Bristol, United Kingdom
“Los Angeles,” May You Live in Interesting Times, Chapter, Cardiff, United Kingdom
“Capital,” Frieze Projects: Artist’s Cinema, Frieze Art Fair, London, United Kingdom
“Los Angeles,” Kino Svetozor, Prague, Czech Republic
“Los Angeles,” Creative Artist’s Agency, Los Angeles
“Los Angeles,” Academy of Motion Picture Arts and Sciences, Los Angeles
“Los Angeles,” KunstFilmBienale, Cologne, Germany
To Film a Thought in Action, Moderna Museet, Stockholm, Sweden
“Miami” and “Los Angeles”, Rio Film Festival, Rio, Brazil

“Los Angeles,” Anthology Film Archives, New York
The Films of Sarah Morris, National Film Theatre, London, United Kingdom
Canarias Media Fest 2004, Canary Islands, Spain
“Los Angeles”, Kino Arsenal, Berlin, Germany
“Los Angeles”, Prince Charles Cinema, London, United Kingdom
The Ballroom, Marfa
Treasure Island: 10 Jahre Sammlung Kunstmuseum Wolfsburg, Kunstmuseum, Wolfsburg, Germany
LandesGalerie, Linz, Austria

Sodium Dreams, CCS Museum, Bard College, Annandale-on-Hudson
Mediascape, MoMA, Gramercy Theater, New York
Question, Magasin, Centre National d’Art Contemporain, Grenoble, Switzerland
Urban Dramas, deSingel, Antwerp, Belgium
Form-Specific, Moderna Galerija, Ljubljana, Slovenia
Days like These, Tate Britain, London, United Kingdom
Painting Pictures: Painting and Media in the Digital Age, Kunstmuseum Wolfsburg, Wolfsburg, Germany

Sarah Morris, Miami MOCA, Miami
“Capital”, Site Santa Fe
Cinecity: The Films of Sarah Morris, Hirshhorn Museum, Washington, D.C.
Paysage dans L’Art d’Aujourd’Hui, La Maison de la Culture de Bourges, Bourges, France
Public Affairs, Zurich Kunsthaus, Zurich, Switzerland
Painting on the Move, Kunsthalle Basel, Basel, Switzerland
São Paulo Biennial, São Paulo, Brasil
Kunstnernes Hus, Oslo, Norway
Urgent Painting, Musée d”Art Moderne de la Ville de Paris, Paris, France

Correspondence, Nationalgalerie im Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
Wild Walls, MAK Center, Schindler House, Los Angeles
Casino 2001, Stedelijk Museum Voor Actuele Kunst, Ghent, Belgium
The Mystery of Painting, Sammlung Goetz, Munich, Germany
Hybrids, International Contemporary Painting, Tate Liverpool, United Kingdom
Comfort, Reclaiming Place in a Virtual World, Cleveland Center for Contemporary Art, Ohio
Playing Amongst the Ruins, Royal College of Art, London, United Kingdom

Sarah Morris, Kunsthalle Zurich, Switzerland
Sarah Morris, Philadelphia Museum of Art
Sarah Morris, Galerie für Zeitgenossische Kunst, Leipzig, Germany
“AM/PM”, Neue Nationalgalerie, Museum fur Gegenwart, Berlin, Germany
The Song of the Earth, Museum Fridericianum, Kassel, Germany
Projections, FRAC Bourgogne, Dijon, France
What If: Art on the Verge of Architecture and Design, Modera Museet, Stockholm, Sweden
Flakk, Flakk or that extraordinary sensation of being abroad, even when at home, curated by Andrea Kroksnes & Per Gunnar Tverbakk, Nordic House, Reykjavik, Iceland
Homes, Art Gallery of Western Australia, Perth, Australia

Sarah Morris, Museum of Modern Art, Oxford, United Kingdom
Le Capital, Contemporary, Art Center, Sete, France
Aufnahmen, Österreichische Galerie Belvedere, Vienna, Austria

I Love New York: Crossover der Aktuellen Kunst, Museum Ludwig, Koln, Germany


Selected Writings


Kalhama, Pilvi, Karttunen, Ari, Rissanen, Milla & Wiik, Pernilla. Sarah Morris. (EMMA – Espoo Museum of Modern Art 2019)
Avary, Roger. Sarah Morris: Crease Folds (Ivory Press, Madrid 2015)
Paul, Fréderéric. Sarah Morris: CAPITAL letters read better for Initials (August Verlag, Berlin 2015)
Bourriaud, Nicolas, Diana Gay. Sarah Morris: Mechanical Ballet (Editions DEL’ART, Nice 2014)
Avary, Roger, Bettina Funcke. Sarah Morris: Bye Bye Brazil (White Cube Bermondsey, London 2013)
Bechtler, Cristina, Obrist, Hans Ulrich. An Open System Meets an Open System: Sarah Morris and Hans Ulrich Obrist in Conversation (Springer-Wien, Vienna 2013)
Eikmeyer, Robert, Knoefel, Thomas. Sarah Morris: You Cannot Trust a Surface (Verlag Für Moderne Kunst, Nuremberg 2012)
Kahraman, Hasan Bülent: Two Erasing Principals (Dirimart, Istanbul 2011)
Diederichsen, Diedrich, Park, Youngran. Sarah Morris: Clips, Knots, and 1972 (Gallery Hyundai, Seoul 2010)
Chinnery, Colin, Anthony Lane, and Andrea Phillips. Sarah Morris: Beijing (Museo d’Arte Moderna di Bologna, Museum fur Moderne Kunst Frankfurt, Witte de With, Rotterdam, Walther Konig, Cologne 2009)
Burton, Johanna, Diederichsen, Diedrich, de Looz, Pierre-Alexandre. Sarah Morris: Lesser Panda (White Cube Gallery, London 2008)
Rabinowitz, Cay Sophie. Sarah Morris Los Angeles (Aurel Scheibler Gallery, Berlin 2005)
Coupland, Douglas and Martin Herbert. Sarah Morris Bar Nothing (Jay Jopling/White Cube, London 2004)
Jones, Ronald. Sarah Morris Capital (Oktagon, Cologne 2001)
Bürgi, Bernhard, Diedrich Diederichsen and David Daniel. Sarah Morris (Kunsthalle Zürich, Zurich 2000)
Bracewell, Michael, Jan Winkelmann, Michael Tarantino and Rob Bowman. Sarah Morris Modern Worlds (Modern Art Oxford, Oxford 1999)
Bourriaud, Nicolas. Sugar (Galerie Philippe Rizzo, Paris 1996)



The ESSL Collection, Albertina Modern, 2021.
REMIX The Collection, 
Kunsthalle Bremen, 2021.
Buskirk, Martha. Is it ours? Art, copyright and public interest. 2021
Brandon, Claire. “Stories”, Ivorypress, 2021.
It’s Urgent! A Luma Project curated by Hans Ulrich Obrist. Luma Foundation. 2020.
Peinture: obsolescence déprogrammee. ESAD TALM Art School of Angers & Musee d’art contemporan des Sables o’Olonne, France, 2020.
Bauer Christian and Giese Herbert, “Der Welt (m)eine Ordnung geben”, Landesgalerie Neiderösterreich, 2020.
Morris, Sarah. “Kluge by Morris”. Konig Magazine, May 2020.
Schellman, Jorg. Reimagined. 2019.
Ohne Kunst kein Bau. Kunst und Bau Projekte in Nordrhein-Westfalen 2007-2019, 2019.
Kluge, Alexander. Die Macht der Musik. 2019.
Langston, Richard., Adelson, Leslie A., Jones, N.D., (Hgs) Wilms, Leonie. The Poetic Power of Theory. V&R unipress, 2019.
Bjone, Christian. Almost Nothing: 100 Artists Comment on the Works of Mies van der Rohe.
Dax, Max and Luckow, Dirk. HYPER! A Journey into Art and Music. Deictorhallen Hamburg.
“UBS Art Collection: UBS Art Gallery at 1285 Avenue of the Americas”.
Obrist, Hans Ulrich & Argyropoulou, Nadja. The Marathon Marathon (The DESTE Foundation, Athens 2018
Luxembourg, Mudam (eds). Flatland/ Abstractions Narratives (Edition Cantz, Esslingen, 2017)
Munroe, Alexandra; Tinari, Phillip & Hanru, Hou. (2017). Art and China after 1989: Theater of the World (Guggenheim Publications, New York)
Graw, Isabelle. Die Liebe zur Malerei (Diaphanes, Zurich 2017)
Berg, Stephan & Muhling, Matthias. Sammlung Kico Collection (Hirmer, Munich 2017)
Kluge, Alexander. Pluriversum (Spector Books, Leipzig 2017)
Stieninger, Florian. Abstract Painting Now! (Verlag der Buchhandlung Walther König, Leipzig 2017)
Various contributors. We need to talk…  (Petzel NY/ Hatje Cantz, Berlin 2017)
Lauf, Cornelia. Wall to Wall (Verlag der Buchhandlung Walther König, Cologne 2016)
Gagosian Gallery Paris. Lexicon: A group exhibition of text-based works (Gagosian Gallery, Paris 2016)
Britin, Andreas & Eiermann, Wolf & Franzen, Brigitte (ed.). Mies van der Rohe: Montage Collage. (König Books Ltd., London 2016)
Rozell, Mary. (ed.). UBS Art Collection: To Art its Freedom (Hatje Cantz, Berlin 2017)
Goodman, Abigail Ross. (ed.). Art for Rollins (Cornell Fine Arts Museum/Rollins College, Winter Park 2015)
Wilson, Kate.  Drawing and Painting: Materials and Techniques for Contemporary Artists (Thames & Hudson, London 2015)
Schlieker, Andrea. Commissions & Public Projects (White Cube, London 2015)
Blazwick, Iwona.  Adventures of the Black Square: Abstract Art and Society 1915-2015  (Whitechapel, London 2015)
Neri, Gabriela. Caricature Architettoniche: Satira e critica del progetto moderno (Quodilbet, Macerata 2015)
László, Vass. Konstruktív Konkrét: Nemzetközi Muvészet A Vas-Gyujteményben (Art V. Premier, Budapest 2014)
Verchere, Laure. Le Pliage by Longchamp Paris (Assouline, New York 2014)
Williams, Gilda. How to Write About Contemporary Art (Thames & Hudson, London 2014)
Kittelmann, Udo and Gabriele Knapstein. Wall Works: Working with the wall since the 1960s (Nationalgalerie Staatliche Museen zu Berlin and Kerber Verlag, Bielefeld 2014)
Gaitán, Juan A. & Nicolaus Schafhausen. Morality in Fragments (Witte de With Center for Contemporary Art, Rotterdam 2014)
Akay, Ali. There Is A Madness In My Mind (Gulin – Emre Dokmeci Koleksiyonu, Istanbul 2014)
Conklin, Jo-Ann. Brown University 250th Anniversary Alumni Exhibitions (Brown University, Providence 2014)
Berggruen, John. Above and Below The Surface: Eight Artists (John Berggruen Gallery, San Francisco 2014)
Gander, Ryan.  Artist Cocktails (Dent-de-Leone, London 2013)
Schlieker, Andrea. Commissions & Public Projects (White Cube, London 2013)
Bechtler, C.; Obrist; H.U. & Ruf, B. (eds.).  Engadin Art Talks.  (JRP | Ringier Kunstverlag AG, Zurich 2013)
Lenbachhaus.  Art After 1945 (Lenbachhaus, Munich 2013)
Linien, Weiner. Vienna Art Passage (Verlag für Moderne Kunst Nürnberg, Nuremberg 2013)
Friedel, Helmut & Mühling, Matthias.  Beside the River Isar: Contemporary Art in the New Lenbachhaus (Lenbachhaus, Munich 2013)
Friesel, Helmut & Matthias Mühling. The Lenbachhaus Book (Lenbachhaus and Schirmer/ Mosel, Munich 2013)
Hallett, J.; Hack, J. & Barron, F. (eds.). Kate Moss (Rizzoli, New York 2012)
Bruderlin, Markus. Frank Stella: The Retrospective Works 1958-2012 (Kunstmuseum Wolfsburg and Hatje Cantz, Wolfsburg 2012)
French, Blair. Column 10 (Artspace, Sydney 2012)
Ahrenberg, S., Keller, S. & Obrist, H.U. (eds.). Cahiers D’Art: 36th Year, No. 1 2012 (Editions Cahiers D’Art Sarl, Paris 2012)
King, Emily. M to M of M/M (Paris) (Thames & Hudson, London 2012)
Dreishpoon, D.; Grachos, L. & Pesanti, H. (eds.). Decade: Contemporary Collecting 2002-2012 (Albright-Knox Gallery, Buffalo 2012)
Groos, Ulrike & Schimpf, Simone. Rasterfahndung: Das Raster in der Kunst nach 1945 (Kunstmuseum Stuttgart and Wienand, Cologne, 2012)
Davis, Jeff. Foundations of Design. (Wadsworth, Boston, 2012)
Houston, Joe. A Global Exchange: Geometric Abstraction Since 1950 (Museo de Contemporáneo Buenos Aires, Buenos Aires 2012)
Okamura, Keiko. How Physical: Yebisu International Festival for Art & Alternative Visions Catalogue (Tokyo Metropolitan Museum of Photography, Tokyo 2012)
Wiehager, Renate. Art & Stars & Cars (Hatje Cantz Verlag, Ostfildern 2011)
Elgiz, Sevda & Can. Elgiz 10: A Decade of Commitment to Contemporary Art in Turkey (Proje 4L / Elgiz Museum of Contemporary Art, Istanbul 2011)
Zamudio Taylor, Víctor. Now: obras de La Colección Jumex (SYL, Barcelona 2011)
Birnbaum, Daniel; Butler, Connie; Cotter, Suzanne; Curiger, Bice; Enwezor, Okwui; Gioni, Massimiliano; Nickas, Bob & Obrist, Hans Ulrich. Defining Contemporary Art – 25 years in 200 Pivotal Artworks (Phaidon, London, 2011)
Fundación/Colección Jumex. ¡Sin techo está pelón! (Fondación/Colección Jumex, Estado de México 2010)
Hee-Young, Yoo. Trust: Media City Seoul 2010 (Seoul Museum of Art, Seoul 2010)
Gray, Zoe, Kathrein, Miriam; Schafhausen, Nicolaus; Szewczyk, Monika & Ulrus, Ariadne (eds.). Rotterdam Dialogues: The Critics, The Curators, The Artists (Witte de With Center for Contemporary Art, Rotterdam 2010)
Dimant, Elyssa. Minimalism and Fashion (HarperCollins, New York 2010)
Von Olfers, Sophie. Not in Fashion: Photography and Fashion in the 90s. (Museum für Moderne Kunst, Frankfurt am Main 2010)
May, Susan. Kupferstichkabinett: Between Thought and Action (White Cube, London 2010)
Arsene-Henry, Charles; Basar, Shumon & Marta, Karen (eds.). Hans Ulrich Obrist Interviews Volume 2 (Edizicio Charta, Milan 2010)
Obrist, Hans Ulrich. Everstill- Siempretodavia (Fundacion Feerico Garcia Lorca, Granada 2010)
Graw, Isabelle. High Price: Art Between the Market and Celebrity Culture (Sternberg Press, Berlin and New York 2009)
Baumgarten, Oliver. Kunst Film Biennale 2009 Catalogue (Heinz Peter Schwefel und Gerhard Koch, Cologne 2009)
Werner Holzwart, Hans. 100 Contemporary Artists (Taschen, Cologne 2009)
Hoffmann, Sammlung. With the Bicycle to the Milky Way (Verlag der Buchhandlung Walther König, Cologne 2009)
Muir, Gregor. Lucky Kunst: The Rise and Fall of Young British Art (Aurum Press, London 2009)
Natsumi, Araki; Miho, Tagomori; Sasaki Hitomi & Yoko, Oyamada. The Kaleidoscopic Eye: Thyssen-Bornemisza Art Contemporary Collection (Mori Art Museum, Tokyo 2009)
Szoke, Anna (ed.). Aspects of Collecting (Edition Sammlung Essl, Vienna 2009)
Bjone, Christian.  Art + Architecture: Strategies in Collaboration  (Birkhäuser Verlag AG, Basel 2009).
RxArt. Between the Lines (RxArt, New York 2009)
Hetzler, Max. Jeff Koons (Holzwarth Publications, Berlin 2009)
Schellmann, Jorg (ed.). Forty are Better Than One (Schellmann Art Production, Munich/New York, 2009)
Andelkovic, Branislava; Lulic, Marko & Trummer, Thomas (eds). Zidovi Na Ulici (Siemens Arts Program/Muzej Savremene Umetnosti, Beograd, 2009)
Lowis, Kristina. Unsterblich! Das Foto des Künstlers (Staatliche Museen zu Berlin, Berlin 2008)
Pentronio, Ezra. Bold & Beautiful (Steidl, Gottingen 2008)
Heartney, Eleanor. Art & Today (Phaidon Press Inc., New York 2008)
Hetzler, Max. Always There (Galerie Max Hetzler, Berlin 2008)
Clinton, Margaret Liu. Independent Study Program: 40 Years 1968-2008 (Whitney Museum of American Art, New York 2008)
Kataoka, Mami. Art Is For The Spirit: Works from The UBS Art Collection (Mori Art Museum, Tokyo 2008)
Andelkovic, Branka; Lulic, Marko & Trummer, Thomas. Walls in the Street (Siemens Arts Program and Museum of Contemporary Art, Belgrade 2008)
Muhling, Matthias. Sarah Morris: 1972 (Städtische Galerie im Lenbachhaus und Kunstbau München, Munich 2008)
Oddati, Nichola. L’Impresa dell’Arte: The Enterprise of Art (Electa Napoli, Napoli 2008)
Amzalag, Michael & Augustyniak, Mathias. M/M (Paris) — Inventory/Inventoire 2 (Haunch of Venison, London 2008)
Merali, Shaheen. New York States of Mind: Art in the City (Saqi, Berkeley 2008)
Schellman. Art Editions 6 (Editions Schellmann, Munich 2008)
Grosenick, Uta. Art Now Vol. 2 (Taschen, Cologne 2008)
Clark, Ron & Weinberg, Adam D. Independent Study Program: 40 Years, Whitney Museum of American Art, 1968-2008 (Whitney Museum of American Art, New York 2008)
Holzwarth, Hans Werner (ed.). Art Now Vol. 3 (Taschen, Cologne 2008)
Draganovic, Julia. The Enterprise of Art (PAN/Palazzo delle Arti Napoli, Naples 2008)
Inboden, Gudrun. Always There (Galerie Max Hetzler, Berlin 2008)
Oberhollenzer, Günther. Passion for Art” 35th Anniversary of the Essl Collection (Edition Saummlung Essl, Vienna 2007)
Roberts, Rebecca. MoMA: Highlights since 1980 (Museum of Modern Art, New York 2007)
Akas, Ceyda & Arnold Stephanson (eds.). Res: Art World / World Art No:1 September 2007 (Dirimart, Istanbul 2007)
Hacker, Sabine. Kunst Film Biennale Catalogue 2007 (Heinz Peter Schwerfel und Gerhard Kock, Cologne 2007)
Hoffmann, Jens. Very Abstract and Hyper Figurative (Thomas Dane Gallery, London 2007)
Duplaix, Sophie. Collection Art Contemporain (Centre Pompidou, Paris 2007)
De Corral, Maria and John R. Lane. Fast Forward: Contemporary Collections for the Dallas Museum of Art (Yale University Press, New Haven and London 2007)
Bugallo, Anxela. Cuestion Xeracional: Coleccióm Pecar de Artistas Contemporaneos (Centro Galego De Arte Contemporanea, Santiago de Compostela 2007)
Pukemova, V. Create Your Own Museum: Highlights from a Private Collection (Gary Tatintsia Gallery, Moscow 2007)
Tunnicliffe, Wayne. An Incomplete World: Works from the UBS Art Collection (Art Gallery of New South Wales, Sydney 2007)
Solovyoc, Alexander. Reflection (Pinchuk Art Center, Kyiv 2007)
Wiehager, Renate. Minimalism and After: DaimlerChrysler Collection (Hatje Cantz Verlag, Ostfildern 2007)
Kim, Sunjung. Tomorrow (Samuso, Seoul 2007)
Janssen, Renske. Changing Roles: Artists’ Personal Views and Wishes (Witte de With , Rotterdam 2007)
Thorp, David. Abstraction: Extracting From the World (Sheffield Galleries, Sheffield 2007)
Munder, Heike. Peter Saville Estate 1 – 127 (Migros Museum für Gegenwartskunst and JRP Ringer, Zurich 2007)
Sardo, Delfim. Pintura Redux: Desenvolvimentos Na Ultima Decada (Fundacao de Seralves, Serralves 2006)
Schafhausen, Nicolaus. Witte de With Seasonal Program Autumn/Winter 2006/7 (Witte de With, Rotterdam 2006)
Pras, Sylvie. Cinéma: Centre Pompidou septembre, octobre, novembre 2006 (Centre Pompidou, Paris 2006)
Bourriaud, Nicolas and Olexandr Solovyov. Contemporary Art in Ukraine (Pinchuk Art Centre, Kyiv 2006)
Amzalag, Michael and Mathias Augustyniak. Inventory: M/M Paris (Haunch of Venison, London 2006)
Schlicht, Esther. Zwanzig Jahre Schirn (Schirn Kunsthalle, Frankfurt 2006)
ter Horst, Anet and Else de Jonge. 35th International Film Festival Rotterdam (Film Festival Rotterdam, Rotterdam 2006)
Blume, Eugen & Franke, Melanie. Zehn Jahre 1996 – 2006: Hamburger Bahnhof. Museum für Gegenwart (Hamburger Bahnhof. Museum für Gegenwart, Berlin 2006)
Rulffes, Evka. Carbonic Anhydride (Galerie Max Hetzler, Berlin 2006)
Schellmann. Art Editions 5 (Editions Schellmann, Munich 2006)
Terreehorst, Pauline. This is America (Centraal Museum Utrecht and J.M. Meulenhoff bv, Amsterdam, 2006)
Bramdesogn, Engloba. Coleccón Valencia Arte Contemporáneo (Institut Valencia d’Art Modern, Valencia 2006)
Pareno, Philippe (ed.). All Hawaii Entrées / Lunar Reggae (Irish Museum of Modern Art/ Edizioni Charta, Dublin and Milano 2006)
Lullin, Etienne & Simm, Florian-Oliver (eds.). Contemporary Art in Print (Paragon Press, London 2006)
Muehling, Matthias. Stage of Life – Rhetorics of Emotion (Städtische Galerie im Lenbachhaus, Munich 2006)
Urbaschek, Stephan (ed.). Fast Forward, Media Art (Hatje Cantz, Cologne 2006)
Sammlungskatalog der Galerie für Zeitgenössische Kunst, (Galerie für Zeitgenössische Kunst, Leipzig 2006)
Papaloizos, Isabelle Aeby and Annie Aguettaz (eds). 11th Biennale de l’Image en Mouvement (Centre Pour L’Image Contemporaine, Saint-Gervais Geneve 2006)
Grenier, Catherine. Big Bang: Creation and Destruction in 20th Century Art (Centre Pompidou, Paris 2005)
Larsen, L. B., Ricupero, C. and Schafhausen, N. The Populism Reader (Lukas & Sternbery, New York and Berlin 2005)
Bruciati, Elena. U_Move: Utopia and Images on the Move (Galleria Comunale d’Arte Contemporanea, Monfalcone 2005)
Dresche, Anja. Kunst Film Biennale (Heinz Peter Schwerfel und Detlef Langer, Cologne 2005)
Heynen, Julian and Kasper Konig (eds). Ambiance / Movement (K21 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Cologne 2005)
Sammlung Evn. 95-05 (Verlag der Buchhandlung Walther König, Cologne 2005)
Lafuente, Pablo. Display: Recent Installation Photographs from London Galleries and Venues (Rachmaninoff’s, London 2005)
Schalhorn, Andreas. Wittgenstein in New York: Stadt und Architektur in der neueren Kunst auf Papier (SMB Kupferstichkabinett Staatliche Museen zu Berlin, Berlin 2005)
Hezel, Sarah. Extreme Abstraction (Albright-Knox Art Gallery, Buffalo 2005)
Meijer, Robert. En/Of (Museum Kurhaus Kleve, Frankfurt 2005)
Von Hardenberg, Irene. Künstlerinnen: Atelierbesuche in Berlin, Moskau, New York (Gerstenberg, Berlin 2005)
Heynen, Julian and Kasper König. Des Deux Côtes du Rhin-Mouvement/Ambiance (Snoeck, Cologne 2005)
Grosenick, Uta and Burkhard Riemschneider. Art Now: Artists at the Rise of the New Millennium (Taschen, Cologne 2005)
Grosenick, Uta. Art Now: Vol. 2 (Taschen, Cologne 2005)
Richer, Francesca and Matthew Rosenzweig (eds.). First Works by 362 Artists (Thames & Hudson, London 2005)
Grachos, Louis. Extreme Abstraction. (Albright Knox Gallery, Buffalo, New York 2005)
Isé, Claudine. Vanishing Points (Ohio State University, Columbus 2005)
Bang Larsen, Lars and Cristina Ricupero. The Populism Catalogue (Lukas & Sternberg, Berlin/New York 2005)
Douglas, Caroline and Bunkier Sztuki (eds.). Supernova (The British Council, London 2005)
Temkin, Ann. Contemporary Voices: Works from the UBS Art Collection (MoMA, New York 2005)
Ucciani, Louis. La lettre Volee (The Purloined Letter): Catalogue de l’exposition (Les Presses du Réel, Dijon 2004)
Morris, Sarah. 20 Years of Parkett: Part III (Parkett No. 72, Zurich 2004)
Hollein, M., Obrist, H.U. and Weinhart, M. (eds). 3′ (Schirn Kunsthalle Frankfurt, Frankfurt 2004)
Gorduren, Petra. Porträt ohne Antlitz: Abstrakte Strategien in der Bildniskunst (Kunsthalle zu Kiel, Kiel 2004)
Siegel, Katy and Paul Mattick. Art Works: Money (Thames & Hudson, London 2004)
King, Emily. Designed by Peter Saville (Frieze, London 2003)
Lutgens, Annelie. Painting Pictures: Painting and Media in the Digital Age (Kunstmuseum Wolfsburg, Wolfsburg 2003)
Urbaschek, Stephan (ed). Fast Forward: Media Art (Sammlung Goetz, Munich 2003)
Pakesch, Peter. Imagination: Perception in Art (Verlag der Buchhandlung Walther König, Cologne 2003)
Finckh, Gerhard. New Abstract Painting (Museum Morsbroich Leverkusen, Cologne 2003)
Albrecht, Juerg and Michael Schmid (eds). On-Site Artworks (USB Art Collection, Zurich 2003)
Schutz, Heinz. Quivid: im öffentlichen Auftrag (Verlag fur moderne Kunst Nürnberg, Munich 2003)
Badovinac, Zdenka. Form Specific (Museum of Modern Art Ljubljana, Frankfurt 2003)
Van Tuyl, Gijs and Annelie Lutgens (eds.). Painting Pictures: Painting and Media in the Digital Age (Kerber Verlag, Bielefeld 2003)Nesbitt, Judith and Jonathan Watkins. Days Like These, Tate Triennial Exhibition of Contemporary British Art 2003 (Tate Publishing, London 2003)
Spindler, Gabriele. Hotel Hotel (Landesgalerie Linz, Linz 2003)
Groetz, Thomas (ed.). Berlin 1994-2003 (Galerie Max Hetzler, Berlin 2003)
Hirsch, M., Müller, V.J. and Schafhausen, N. (eds.). Adorno: The Possibility of the Impossible (Lukas & Sternberg, Berlin/New York 2003)
Heinrich, Christoph and Nina Zimmer (eds). Ice Hot: Recent Paintings from the Scharpff Collection (Hatje Cantz Verlag, Cologne 2003)
Graw, Isabelle. Die Bessere Hälfte. Künstlerinnen des 20. und 21. Jahrhunderts (Dumont, Cologne 2003)
De Cruz, Gemma and Amanda Eliasch. British Artists at Work (Assouline, New York 2003)
Allen, J., Baudin, K. and Gillick, L. Nation (Lukas & Sternberg, New York 2003)
Wiehager, Renate. Andy Warhol: Cars (Hatje Cantz, Cologne 2003)
Townsend, Chris. Not to Cut a Pattern (Thames & Hudson, London 2003)
Breuvart, Valerie and Barry Schwabsky. Vitamin P. New Perspectives in Painting (Phaidon Press, London 2002)
Hozumi, Toshiaka. In Print: Contemporary British Art from the Paragon Press (Japan Association of Art Museums, Hokkaido 2003)
Townsend, Chris. Rapture: Art’s Seduction by Fashion (Thames & Hudson, London 2002)
Grosenick, Uta and Berkhard Riemschneider (eds). Art Now: 137 Artists at the Rise of the New Millennium (Taschen, Cologne and Berlin 2002)
Mendes Burgi, Bernhard. Painting on the Move (Kunstmuseum Basel, Basel 2002)
Curiger, Bice. Public Affairs: Das Öffentliche in der Kunst (Kunsthaus Zürich, Zurich 2002)
Weihager, Renate. Minimalism and After: February 8 – May 20, 2002 (Daimler Chrysler Contemporary, Berlin 2002)
Czoeppan, Gabi. Richtig in Kunst investieren (Realien Wirtschaft bei Verlag Moderne Industrie, Munich 2002)
Honer, Julian. Contemporary Rugs (Merrell Publishers Limited, London 2002)
Hug, Alfons. Brasilia Ruina Eutopia (Fundação Bienal De Sao Paulo, Sao Paulo 2002)
Hug, Alfons. Cidades: 25a Bienal de Sao Paulo Iconografias Metropolitanas (Fundação Bienal De Sao Paulo, Sao Paulo 2002)
Sverre, Christel. Video Works (Kunstnernes Hus, Oslo 2002)
Kim, Airyung. Culture Meets Culture: Busanbiennale 2002 (The BusanBiennale Organizing Committee, Busan 2002)
Muhle, Maria and Joseph Jacquet (eds). Urgent Painting: 17 Janvier – 3 Mars 2002 (Musée d’Art Moderne de la Ville de Paris, Paris 2002)
Hickey, Dave. Beau Monde: Towards a Redeemed Cosmopolitanism (Site Santa Fe, Santa Fe 2002)
Bourriaud, Nicolas. Postproduction (Lukas & Sternberg, New York 2002)
Burgi, Berhard and Peter Pakesch. Painting on the Move (Kunsthalle Basel, Basel 2002)
Archer, Michael. Globalization and the Post-Medium Condition, Art Since 1960 (Thames & Hudson, London 2002)
Gillick, Liam. White Cube 44 Duke St (Steidl, Gottingen 2002)
Farr, Christopher. Thinknot (Christopher Farr, London 2002)
Almond, Darren and Morris, Sarah. at speed. (Galerie Max Hetzler, Berlin 2002)
Schellmann. Art Editions 3 (Edition Schellman, Munich 2001)
Wye, Deborah and Susan Tallman. Parkett No. 61 (Parkett, Zurich and New York 2001)
Livingstone, Marco and Martin Coomer. Jeremy Moon: A Retrospective (Harris Museum & Art Gallery, London 2001)
Greenberg Rahatyn, Jeanne. Casino 2001: First Quadrennial for Contemporary Art (Stedelijk Museum voor Actuele Kunst, Gent 2001)
Gilman, Larry. Comfort: Reclaiming Place In A Virtual World (Cleveland Center for Contemporary Art, Cleveland 2001)
Gompertz, Will. Zoo: Issue 10 September 2001 (Purple House Limited, London 2001)
Wallis, Simon. Hybrids (Tate, London 2001)
Sans, Jerome and Mark Sanchez. What is the Artist’s Role Today? (Palais de Tokyo, Paris 2001)
Gleadowe, Teresa. Playing Amongst the Ruins (Royal College of Art, London 2001)
Sandler, Irving. Art Transplant: British Artists in New York (British Consul-General, London 2001)
Graw, Isabelle. The Mystery of Painting (Sammlung Goetz, Munich 2001)
Grosenick, Uta. Women Artists in the 20th and 21st Century (Taschen, Cologne 2001)
Cappellazzo, Amy. Glee: Painting Now (The Aldrich Museum of Contemporary Art, Ridgefield 2000)
Gompertz, WIll. Zoo: Issue 7 November 2007 (Purple House Limited, London 2000)
Lind, Maria. What If (Moderna Museet, Stockholm, 2000)
Bloemheuvel, Marente and Joap Guldemond. Twisted, Urban and Visionary Landscapes in Contemporary Painting (Stedelijk Van Abbemuseum, Eindhoven 2000)
Guy, Jean-Paul. Fonds Régional D’Art Contemporain De Bourgogne 1984-2000 (Frac Bourgogne, Dijon 2000)
Kroksnes, Andrea. FLAKK, Or That Extraordinary Sensation Of Being Abroad Even When At Home (Nordic Institute for Contemporary Art, Helsinki 2000)
Smith, Trevor, Thomas Mulcaire and Gary Dufour. Home (Art Gallery of Western Australia, Perth 2000)
Antelo-Suarez, Sandra. TRANS> #6 (PASSIM, Inc., New York 1999)
Luckow, Dirk and Jan Winkelmann. Moving Images: Film-Reflexion In Der Kunst (Galerie fur Zeitgenössische Kunst Leipzig und Siemens Kulturprogramm, Leipzig 1999)
Fortes, Márcia. Art Lovers (TRACEY, The Liverpool Biennial of Contemporary Art, Liverpool 1999)
Trümmer, Thomas. Aufnahmen: Fotografische Recherchen In Der Stadt (Österreichische Galerie Belvedere, Wien 1999)
Werner, Klaus. Weather Everything (Galerie für Zeitgenossische Kunst Leipzig, Leipzig 1999)
Grunenberg, Christophe. Frieze (ICA, Boston 1999)
Bourriaud, Nicolas. Le Capital: Tableaux, Diagrammes et Bureaux D’Études. (Villa Saint-Clair, Sète 1999)
Pellegrin, Maurizio (ed.) Innerscapes, An Anthology of Artist’s Writings (Trieste Contemporanea, Trieste 1998)
Douroux, Xavier, Franck Gautherot, Eric Troncy.  Compilation: Une Experience de L’Exposition. (Le Consortium, Dijon 1998)
Adams, Brook and Lisa Liebmann (eds.). Young Americans 2 (Saatchi Gallery, London 1998)
Poetter, Jochen (ed.) I Love New York: Crossover der Aktuellen Kunst (Museum Ludwig, Cologne 1998)
Di Pietrantonio, Giacinto. Mostrato (Edizioni Arte Nova, Pescara, Italy 1998)
Aupetitallot, Yves. Dramatically Different. (Le Magasin Centre National D’Art Contemporain De Grenoble, Grenoble 1997)
Aupetitallot, Yves, Eric Troncy and Alessandra Galasso (eds.). Dramatically Different (Centre National d’Art Contemporain de Grenoble, Grenoble 1997)
Morris, Sarah. Hospital (Galerie Max Hetzler, Berlin 1997)
Gillick, Liam. Big Conference Centre (Orchard Gallery, Derry 1997)
Kydd, Johnnie Shand. Spit Fire: Photographs from the Art World London 1996/97 (Violette, New York 1997)
De Oliveira, Ricardo and Sarah Morris. Close-Up (New York 1994)
Edelstein, Leo and Yanni Florence (ed.). Pataphysics (Melbourne 1993)
Zaya, Octavio. Limits of Perception (Lino Silverstein, Barcelona 1990)
Joseph, Regina and Kirsten Mosher. Reconnaissance (Balcon, Madrid 1990)
Morris, Sarah, Richard W. Quinn and Julia Reschop. The Charade of Mastery: Deciphering Modernism in Contemporary Art  (Whitney Museum of American Art, New York 1990)
Morris, Sarah. The Whitney Program (Whitney Museum of American Art, New York 1990)




Schweighöfer, Kerstin. “Jazz auf Leinwand”, art das Kunstmagazin, March 2022, p. 90.
Birch, Sarah. “Desde el Salón, Whitechapel Gallery: ‘A welcome antidote to the anxiety of variants’, Hackey Citizen, June 9, 2021.
“Desde de Salón (From the Living Room): Sol Calero explores the Hiscox Collection”, Artdaily Mexico Online, June 2, 2021.
Ulker Murat. “Sarah Morris: There is no Objective, Everything is Subjective!” LinkedIn.
Meinzer, Melissa. “Lambert’s two new works of art explores airports as in-between places.”, St. Louis Magazine, May 17, 2021.
Saltz, Jerry. “Frieze and the Return of the Megafairs Social reentry, sensory overload and some very good art at the first big event since… well, you know when.” Vulture, May 12, 2021.
Farrell, Aimee. “Fine fusion”. Vogue, April 2021, pp. 78.
Levy, Rachel. “Art Aficionados Rejoice!” The Boca Raton Observer, February 12, 2021.


“8 Graphic Fabrics & Wallcovering”, Interior Design, December 23, 2020.
Song, Xinyi & Zhang, Stella. “Showcasing the very best in Chinese painting”, Shine News. December 23, 2020.
Ackermann, Von Tim. “Jahres-Vordschau was sie nicht verpassen sollten”. Weltkunst Kunstplaner. December 2020, pp. 37.
Rohr-Bongard, Linde, “50 Jahre Kunstkompass”, Capital, November 2020, pp. 149.
“Digital Projects”, Metropolis, September 2020, pp. 112.
Harris, Gareth. “Online market place for art continues to grow as new digital fair announced during Frieze week”, The Art Newspaper, September 21, 2020.
“Wall About Digital: Maharam’s Digital Projects x Sarah Morris”. Luxe Interiors + Design, September/October 2020.
Eisler, Maryam. “Some of the world’s greatest artists photographed in lockdown by Maryam Eisler”, Lux Magazine, July 8, 2020.
Steer, Emily. “Sarah Morris Evokes the Perils and Perks of a Globalised World”, Elephant, July 6, 2020
“The power of creativity: friends of Bazaar share imaginative responses to crisis”, Harper’s Bazaar, June 17,


Hitti, Natashah, “Anthony Gormley shares seven-day Instagram diary of life in lockdown”. Dezeen. April 26, 2020.
“Coronavirus: How artists are depicing the lockdown”. BBC News. April 24, 2020.
“12 digital art shows that you don’t need to leave the house for”. Dazed. April 23, 2020.
Brown, Mark. “Bathtime and black paint: Tracey Emin posts lockdown diary”. The Guardian. April 6, 2020.
Chen, Adam and Wang, Muriel. “Sarah Morris ADNOC acquired through the John F. O’Brien Fund”. Yale Center for British Art. March 28, 2020.


Scarry, Olympia. “INTERMISSION Sarah Morris: 01-15 TIMECODES”. L’OfficielART International. October-November, 2019. pp. 212-219.
Hanson, Matt. “The dark arts: Ceren Erdem curates Ad Infinitum”. Daily Sabah. October 14, 2019.
Gobbi, Nelson. “Sarah Morris apresenta suas connexões com o Brasil”, O Globo. September 15, 2019. pp. 8
Neustein, Marilia. “O Som ao Redor”. Harper’s Bazaar Brazil. September 2019. pp. 206-207
Celestino, Helena. “Sarah Morris e o impasse em que vivemos.” Valor. September 27, 2019. pp. 27
Freeman, Nate. “An Oral History of Lucien, the New York Art World’s Go-To-Bistro”. Garage Magazine. August 12, 2019.
“Sarah Morris @ White Cube”. 2-Times. June 28, 2019
LaBarge, Emily. “Sarah Morris, White Cube Bermondsey, London, U.K.” Esse, June 20, 2019
Buoso, Sara. “Sarah Morris. Machines do not make us into Machines | White Cube, London” Juliet Contemporary Art Magazine. June 18, 2019.
Spicer Emily. “Art Galleries London: in-the-know art exhibitions”. Culture Whisper. May 30, 2019
“Art: 5 of the best”. The Guardian. May 25, 2019.
Dafoe Taylor. “‘I View All Spaces as Public’: Sarah Morris Explains Why Nothing is Off Limits in Her New Paintings and Film”. Artnet News. May 23, 2019.
Schultz, Abby. “UBS Opens its Art Collection to New York”. Barron’s. May 22, 2019.
Lloyd-Smith, Harriet. “Sarah Morris cuts through the noise at White Cube”. Wallpaper* May 22, 2019.
“The Collector’s Home: Episode 41 – Sarah Morris”. Matches Fashion (podcast). May 15, 2019.
Jones, Jonathan. “Cat videos, clever robots and clapped-out computer games – the week in art”. The Guardian. May 14, 2019.
D’Hoker, Trisha. “Art Series: Horizon Lines”. Article Magazine. May 9, 2019.
Jhala, Kabir & da Silva, José. “Three exhibitions to see in London this weekend”. The Art Newspaper. April 26, 2019.
“Sarah Morris opens first UK show in six years”. London Live. April 25, 2019.
“Sarah Morris’s first solo show in the UK in six years opens at White Cube Bermondsey”. Artdaily. April 25, 2019
“Art in London”. Time Out London. April 25, 2019.
Spicer, Emily. “Art Galleries London: in-the-know art exhibitions”. Culture Whisper. April 24, 2019.
“Exhibition of the Month: Sarah Morris, White Cube, London.” Lux Magazine. April 25, 2019.
“Sarah Morris: Machines do not make us into Machines”. Winkball. April 24, 2019.
Najjar, Christina. “Miami Beach Convention Center Unveils Beautiful Art Installation”. Ocean Drive. April 19, 2019.
“Sarah Morris”. Wall Street International Magazine. April 18, 2019.
“Sarah Morris: Machines do not make us into Machines”. Artlyst. April 17, 2019.
Crossick, Matt. “A star and stripes”. The Daily Telegraph. April 17, 2019. pp. 12
Bell, Guy. “New in Pictures: Wednesday April 17, 2019”. The Times. April 17, 2019.
McCaughan, Sean. “The Miami Beach Convention Center Unveils its New Public Art Collection and Canalside Park”. The Big Bubble Miami. April 16, 2019.
Flint, Hannah. “The YBA that got away”. Evening Standard Magazine. April 12, 2019
Peirson-Hagger, Ellen. “Sarah Morris’ vibrant new exhibition explores speech, sound and the movement of the metropolis”. Harper’s Bazaar. April 12, 2019.
Peirson-Hagger, Ellen. “Sarah Morris’ vibrant new exhibition explores speech, sound and the movement of the metropolis.” Town & Country. April 11, 2019.
Peirson-Hagger, Ellen. “Sarah Morris’ new exhibition explores speech, sound and the movement of the metropolis”. Yahoo! Style. April 11, 2019.
“Exhibition-opening soon: Sarah Morris Machines do not make us into Machines”. Artrabbit. April 8, 2019.
Maher, Daniel Milroy, “April Diary: The best exhibitions and events to visit this month!” It’s Nice That. April 2, 2019.
Bromwich, Kathryn. “On my radar: Sarah Morris’s cultural highlights”, The Observer. March 31, 2019, pp. 4
Khalil, Nadine. “Wandering Eye”, Canvas Abu Dhabi, March/April 2019, pp. 108-111
Scott, Chadd. “Miami Beach Announces Major Site-Specific Artworks Coming to The Convention Center”. Forbes. February 19, 2019.
Schuster, Clayton. “Miami Beach Announces a $7m Spend on Public Art by Ellen Harvey, Joseph Kosuth and Others”. Observer. February 19, 2019.
Xu, Anqi. “The Passion They Saw”, T China, January 16, 2019, pp. 23
Hein, Barbara. “Was Wären wir nur ohne das Bauhaus?!”, ART, Spezial 100 jähre Bauhaus, January 2019, pp. 5, 80-81


“What’s the Macho-List Exhibition in Miami this Week? (Hint it rhymes with “Criminalism Plop”), ArtNews, December 6, 2018
Spence, Rachel. “The art world’s inner sanctum”, The Financial Times, December 7, 2018, pp. 6
Spence. Rachel. “Sarah Morris’s work for Art Basel Miami Beach is sleek, graphic and uncompromising”, The Financial Times, Miami Art Week 2018, December 6, 2018
Leech, Nick. “Capturing the Essence of Abu Dhabi on Film”, Weekend Cover, November 16, 2018, pp. 6-7
“Petzel Gallery opens exhibition of works by Sarah Morris,” Artdaily, November 6, 2018
“Sarah Morris, ‘Midtown Paintings: 1998-2001’,” Time Out, November 5, 2018
Tashjian, Rachel. “Sarah Morris Paints an Ever-Changing Midtown, sans Nostalgia”, Garage Magazine, November 2, 2018
Eckardt, Stephanie. “Helmut Lang’s New Limited-Edition Cowboy Boots Are Almost Too Artful to Walk In”, W Magazine, October 25 2018
“Exhibition Histories: Sarah Morris and Thaddaeus Ropac on ‘The Silent Baroque’ (1989) in Salzburg”, Spike Magazine Autumn 2018 issue 57, pp.40-47
Sawyer, Johnathan. “Helmut Lang Drops $1,500 Hand-Painted Cowboy Boots by Sarah Morris”, High Snobiety, October 25, 2018
Yotka, Steff. “You know the Past – Now meet the Future of Helmut Lang, Starting with a New Jeans Collection”, Vogue, September 5, 2018
“Different Eyes”, BBArt Magazine, August 2018, pp. 41-55
Cadiñanos, Sara. “Contradicciones de una imagen”, ARS Magazine, July-September 2018, cover and pp.96-104
“Beijing is not a Static Place: A Report from the Chinese Capital’s Gallery”, ArtNews, June 6, 2018
Oerter, Friederike. “Die Künstlerin Sarah Morris vor einem ihrer Werke in New York. Geld verdient sie auch mit Handtaschendesign”, Die Zeit, February 2018, pp. 28
Mason, Brook. “This is Why Switzerland is the Most Exciting Art-Centric Destination Right Now”, Architectural Digest, January 23, 2018


Koch, Gertrud. “Verdeckte Arbeit”, Texte Zur Kunst, September 2017, pp. 194-197
“Cloak and Dagger at Capitain Petzel”, Blouin Artinfo, August 22, 2017
Müller, Jens. “Das endlose Spiel”, Der Tagesspiegel, August 14, 2017
Morris, Sarah. “Machine Without a Name”. Monopol. pp. 32. August 7, 2017
Frilander HS, Aino. Kuvataide. Helsingin Sanomat 64 sivua. pp. B4. June 21, 2017
Interview Magazine, Parreno, Philippe. March 9, 2017
Muse Magazine, Simmons, William. March 2017
Lesser, Casey. “Sarah Morris Made an Art Train for the Most Beautiful Route in the Alps”, Artsy Editorial, February 25, 2017
Sayej, Nadja. “Puzzle Master: Sarah Morris plays mind games in her latest show”, Wallpaper, February 23, 2017
Trembley, Nicolas. “Oh My Gstaad”:Artforum Online, February 15, 2017
Briegleb, Till. “Wo die Gretel herrscht”:  Süddeutsche Zeitung, February 13, 2017
“Hamburg Aktuell”: NDR Journal, February 10, 2017
Ebony, David. “David Ebony’s Top 10 New York Gallery Shows This Winter”: artnet news, February 7, 2017
“We Need to Talk”: The New Yorker, February, 2017
Colucci, Emily. “What Should Anti-Trump Art Shows Achieve?: Petzel Gallery’s ‘We Need To Talk…”:  Art F City, January 27, 2017
Lakin, Max. ”This Image of Donald Trump Blithely Golfing as the Apocalypse Looms Inaugurates the Era of Art Under Trump” W Magazine, January 20, 2017
Yablonsky, Linda. Access All Areas. Porter, Summer Escape, pp.128-133
Palovaara,IIa. Sarah Morris. EMMA 2017, pp. 26-7.


“Sarah Morris: Lob der Oberfläche?”:, December 7, 2016
“Falls Never Breaks: Sarah Morris in der Kunsthalle Wien”:, December 7, 2016
Hilpold, Stephan. “Meine Bilder sind besser als Werbung”: Hilpold, Stephan. Der Standard, December 6, 2016
“Champagner und Parfüm in Kunsthalle Wien”: Wien, December 7, 2016
Bingöl, Cagla. “Zit Gücler Dengesi”, Haper’s Bazaar Turkey, December 2016
“Systemkritik und Performance”: an.schläge. December 2016
“Previewed”: Herbert, Martin. Art Review, December 2016
“Sarah Morris in der Kunsthalle Wien”: Diva. December 2016
“Sarah Morris: Falls Never Breaks”: Elephant Magazine, December 2016
“Kamerafrauen”: FAQ Art, December 2016
“Metropolitisch”: Flair, December 2016
“Sarah Morris: Falls Never Breaks”: Monopole, December 2016
“Wo das Perfum perlt und der Schampus plätschert”: S., N. Falter, December 2016
“Das Auge/das Ich”: ray Magazine, December, 2016
“Der Schöne Schein”: Knapp, Michaela. Trend, December 2016
“Morris’in Rengarenk Dünyası İstanbul’da”: Skylife Business, December 2016
“Kunsthalle Wien: Sarah Morris Falls Never Breaks”, e-flux, November 16, 2016
Özbey, Ipek. “Hasarli kisilikler, tekinsiz mekanlar”: Özbey, Ipek. Hürriyet, November 12, 2016
“Evrim Altuğ”: Artfulliving, November 9, 2016
“Mutlaka Görün”: Cumartesi Milliyet, November 5, 2016
“Bu Hafta Ne Yapsak?” Habertürk Cumartesi, November 5, 2016
“Amerikalı Sanatçıdan Yeni Sergi”: HT Kulüp, November 3, 2016
“Amerikalı Sanatçıdan Yeni Sergi”: Habertürk Magazin, November 2, 2016
“Hellion Equilibrium”: Artam Global Art & Design, November 1, 2016
“Tipolojileri Keşfedin”: Capital, November 2016
“Hem Yazar, Hem Başkahraman Olmak İstiyor”: Tempo, November 2016
“Şehir Sanat İle Çevrili”: Vatan Makaron, October 29, 2016
“Neville Wakefield and Olympia Scarry to Return to Gstaad with Snow Featuring Sarah Morris,
Douglas Gordon, More”: Friedman, Nate. ArtNews, October 20, 2016
“Dengelerin Desgism”: Alem Magazin, September 11, 2016
“Sarah Morris: Hellion Equilibrium: Art Agenda, September 2016
Cover, Harper’s Bazaar UK, September 2016
“Sind Künstler etwas Besonderes?”: Ulrich, Wolfgang. art Magazine, June 2016
Klingelfuss, Jessica. “Istanbul gallery Dirimart inaugurates new space designed by Studio MDA”, Klingelfuss, Jessica, Wallpaper Magazine, May 26, 2016
Cashdan, Maria and Lesser, Casey. “The 20 Best Booths at Frieze New York”: Cashdan, Maria and Lesser, Casey. Artsy Editorial, May 5th 2016
Elkann, Alain. “Ilruolo dell’arte? Creare un ponte verso il futuro”: La Stampa, March 4th 2016
Fry, Naomi. “Having a Mentor is So Important: On Brett Ratner’s Instagram”:  New York Times Magazine, April 18th, 2016
Harvard Business Review, May 2016. Contributor
“Sarah Morris at Museum Leuven”, Contemporary Art Daily, January 14, 2016


Slenske, Michael. “Home grown: Asad Raza stages art show in his one-bedroom NYC apartment”, Wallpaper, December 11, 2015
“Sarah Morris: 1972”, Places of a Present Past, SMU, Meadows School of the Arts, pp. 60, 65-72
“25 Artists from 1990 to 2015; and 25 reasons why each belongs in the Texte zur Kunst canon”, Rebentisch, Juliane, Texte Zur Kunst, December 2015, pp. 58-63
“Sarah Morris: There is No Outside”, The Talks, Bonke, Johannes, December 9, 2015
Vandenborne, Gino. “Sarah Morris. Astros Hawk :: Museum M, Leuven.” December 27, 2015.
Steverlynck, Sam. “Sarah Morris in M Leuven – Symfonie van Een Grootstad.” H ART Magazine December 11, 2015: 5.
“Spotlight: ‘Sarah Morris, Astros Hawk.’” L’Officiel Art December 2015 – February 2016: 34-35.
Deplete, Guy. “Sarah Morris autopsie nos villes.” La Libre Belgique December 2015: 40.
“Onder het oppervlak.” Marie Claire Vlaamse Editie December 2015: 54.
Kluyskens, Pierre. “Sarah Morris & Guy de Cointet – M-Leuven-> 20/3.” November 18, 2015.
van Boxem, Koen. “Achter de facade van een wereldstad.” De Tijd November 5, 2015: 13.
Steverlynck, Sam. “De vreemde magie van Sarah Morris.” De Standaard November 4, 2015: D6-D7.
van Kuyck, Anneleen. “De alchemie van de stad: Sarah Morris in Museum M.” Veto November 1, 2015.
Rivera, Nadia. “M Museum’s Eva Wittocx on Sarah Morris.” The Word Magazine October 23, 2015.
“Tegenstelling in kunst vatten.” Streekkrant (edition Leuven) October 10, 2015: 4.
de Biasin, Louis. “Sarah Morris.” L’Eventail October 1, 2015: 63.
De Nys, Andre. “Tentotip XL: Sarah Morris.” Kunswerkt October 2015: 22-23.
Rivera, Nadia. “Sarah Morris at Museum M Leuven.” The Word Magazine October 10, 2015. Gaskell, Anna. “Life in the System.” Texte Zur Kunst September 2015: 88.
“Sarah Morris Brings ‘Strange Magic’ to Art Basel’s Unlimited show”, Conley, Kevin,, June 17, 2015
“Sarah Morris on Uncovering Conspiracies in the Art-Luxury Industrial Complex”., June 17, 2015
Mocellin, Vivian.  “Sarah Vezes 2.” Harper’s Bazaar Brasil March 2015: 202-205.
Alzugaray, Paula.  “Belamente Beligerante.” Istoé February 18, 2015: 70-71.


Ciuraru, Carmela, “Modern Love”, Luxe Magazine, Summer 2014: 54, 308-323, cover photo
Jordan, Colby. “Grid Lock.” W Magazine December 2014/January 2015: 106.
Rougeau, Naomi and Noah Silverstein. “Curated Content.” Elle December 2014: 134.
Shimizu, Reina. “Art To Go.” Vogue Japan December 2014: 298-9.
“Sipping Pretty” and “The Black Doctor.” British Vogue December 2014: 64 & 261.
Simmons, Tabitha. “Steal of the Month.” Vogue November 2014: 232-3.
“КАРТИНА МАСЛОМ.” Harper’s Bazaar Russia November 2014: 134-6.
Bousteau, Fabrice. “L’art de plier le monde selon Sarah Morris.” Air France Magazine November 2014: 80-2.
Jensen, Lars. “Porträt.” German Vogue November 2014: 92.
Pinet, Sophie. “La Peintre & L’Architecte.” Architectural Digest France October – November 2014: 184-9.
Pleeck, Catherine. “Rétro Session: Le succès des accessoires iconiques.” Le Vif October 19, 2014: 39.
Barbery-Coulon, Lili. “3 Questions à Sarah Morris.” M du Monde 18 October 2014: 112.
N’Diaye, Marie-Sophie. “Longchamp: Le Juste Pli.” Madame Figaro 17-18 October 2014: 33.
Lattes, Domino. “Hit Bag.: French Elle 17 October 2014: 141-2.
“Fiac 2014: mobilisation générale.” Le Journal des Arts  17-30 October 2014: 21.
Brouns, Jesse. “Sarah Morris: Fluo, Geometrie En Mode.” Weekend Knack October 15, 2014: 18.
O’Mahony, Olivier. “Sarah Morris: L’Art Du Pliage.” Paris Match 9-15 October 2014: 104-5.
Regensdorf, Laura. “Artistic License.” Vogue October 2014: 252.
“Buchcover.” Monopol October 2014: 9 & 53.
Libal, Renata. “Une toile au bout du bras.” Encore! October 2014: 12.
“Purple Fashion Women.” Purple Fashion Fall/Winter 2014-15: 286.
“Play Dough.” Garage Magazine Fall/Winter 2014: 236-244.
Camhi, Leslie. “Setting Sail.” Vogue September 2014: 776-783.
Tarantin, Lianna and Sydney Wasserman. “Shelf Involved.” DuJour Summer 2014: 89.
Morris, Sarah and Victor Demarchelier. “Sarah Morris.” Numero 154: June-July 2014: 120-133.
Coomer, Martin. “Mad for Matisse.” TimeOut London 15-21 April 2014: 78-79.
Jones, Jonathan. “Urban art through the ages — in pictures.” The Guardian 24 March 2014.
Hutter, Michael. “Balanced Investments: On Speculation in the Art Market.” Texte Zur Kunst 93:  März 2014: 80-95.
Claxton, Eve. “The Interview: Sarah Morris.” Net-A-Porter 6 February 2014: 24.


“Going On About Town: Sarah Morris”. The New Yorker. December 16, 2013: 14
Texte Zur Kunst 92: December 2013: Cover
Ellwood, Mark. “Graphic Content From Artist Sarah Morris.” Wall Street Journal Magazine. 4 December 2013: 73.
Stamets, Bill. “A spy’s view of Chicago”.  Chicago Sun Times 27 November 2013.
Frank, Priscilla. “Sarah Morris Translates Brazil’s Paradoxes Into Paint.” Huffington Post 26 November 2013.
Lee, Matt. “Inside Out”.  Men’s Book: Chicago Winter 2013: 44-45.
Connors, Thomas.  “Beyond Big Shoulders.”  Michigan Avenue Magazine November 2013: 76, 78.
Schlüter, Ralf. “Auf die vorderen Plätze bitte!.”  Art Das Kunstmagazin November 2013: 66.
Lee, Matt. “Inside Out.” Men’s Book: Chicago, Winter 2013: 44-45
Mertens, A. von.  “US-Künstlerin erobert Bremer Kunsthalle.” Bremen und umzu. 25 October 2013.
Wilke, Deborah. “In The Studio: Sarah Morris”. Art + Auction October 2013 : 106-112.
“The Interview: Sarah Morris”. HungerTV 6 September 2013. Rappolt, Mark. “Sarah Morris.” ArtReview Brazil Vol. 64, No. 6: September 2013: 124-126.
Ribeiro, Rosane. “Para Gringo Ver.” Vogue Brasil No. 421: September 2013: 198-199.
Browne, Alix. “Thinking Inside the Box.” W Magazine September 2013: 292, 296.
Sherwin, Skye. “Another Thing I Wanted To Tell You… Sarah Morris, artist — on driving”. AnOther Magazine 25: Autumn/Winter 2013: 116.
Barnes, Freire. “Sarah Morris: Bye Bye Brazil.” TimeOut London 1 Aug 2013:
“Open Files: Sarah Morris Until 29 Sep.” Elephant Issue 15: Summer 2013: 8-9.
Oswald, Vivan. “Um Rio Traduzido Em Arte”. O Globo 20 July 2013.
“Sarah Morris: My work is related to power.” Phaidon News 18 July 2013:
“Artists for Schiesser Revival”. Vogue Deutsch July 2013: 74-79.
de Looz, Pierre Alexander. “Brasil Especial”.  Pin-Up 14: Spring Summer 2013: 154 – 162.
Schug, Sarah and Phillipa Snow. “Studio Views”. The Word Magazine March 2013: 158-9.


Barber, Brian. “The Space Between”. Tulsa World 12 December 2012.
de Looz, Pierre Alexander. “Sleeping With Paul Rudolph”. Pin-Up 13: Fall Winter 2012/13: 186-192.
“Total Lunar Eclipse [RIO].” cover design Annual Magazine #5 October 2012
Greenberg, Kevin. “Berlin China”. Pin-Up 12: Spring Summer 2012: 162.
Ward, Ossian. “Sarah Morris: Big Ben [2012]”. Time Out London 25 July 2012
Milliard, Coline. “Sarah Morris On Taking Big Ben Underground at London’s Gloucester Road Tube Station”. Artinfo 12 June 2012.
“Bauten erschaut und besprochen.” Observer 15 May 2012.
Jothady, Manisha. “Die Stadt als Verschwörung.” Wiener Zeitung 24 April 2012.
B-B, Alice. “Grand Gestures.” Elle Décor April 2012.
“Film.” Architect Magazine February 2012: 65.
Berg, Ronald. “Malerei Funktioniert Immer Als Propaganda”. Kunstforum International January – February 2012.
Tennant, Carolyn. “Occupying The Collection.” Afterimage Vol. 39 No. 4: January-February 2012: 21-23.


Yap, Chin-Chin. “A Paper Suit Unfolds”. Art Asia Pacific 76: Nov/Dec 2011: 58.
Harvard Business Review, November 2011.
Di Genova, Arianna. “Dalle Alpi a Sarajevo.” Alias 22 October 2011: 4.
Laera, Margherita. “Sarah Corre Veloce”. Velvet October 2011: 310-315.
Yildirim, Ercan Ali.  “Abd’li Sanatci Sarah Morris: Dirimart Nişantaşi’nda”. Alem 21 September 2011: 86-7.
Sekmen, Evrim, “Kent Bürokrasisine Rengârenk Bir Bakis” Günlük 19 September 2011.
Utkan, Hatice. “Looking for a hidden code with a space”, Hürriyet Daily News 18 September 2011.
Byrt, Anthony. “Sarah Morris – Capitain Petzel”, Artforum September 2011: 358-9.
Cypriano, Fabio. “Artista filma São Paulo e Rio a partir de contradições”. Folha 2 July 2011.
Gutzmer, Alexander. “Die Glasleserin”. Baumeister July 2011: 44-47.
Von Tilmann, Christina. “The Seductive Nature of a Vision”. Bauhaus Magazine: 6 June 2011.
“Sarah Morris: Texte Zur Kunst – Edition Heft NR. 82”. Texte Zur Kunst 82: June 2011: 266-267.
Silalahi, Pablo. “14 Zeichen der Freiheit”. Bild am Sonntag 11 May 2011.
“Spring Art in Berlin”. Al Jazeera 5 May 2011.
Von Tilmann, Christina. “Warten auf den Fensterputzer”. Tagesspiegel 29 April 2011.
Belcove, Julie. “Urban Explorer.” Architectural Digest April 2011: 46-48.
Velasco, Suzana. “Um Rio Visceral.” O Globo 12 March 2011.
Taylor, Sarah. “Built to Last”. W Magazine Feburary 2011.
“Envisioning Buildings.” MAK/ZINE #1, 2011.


Sherwin, Skye. “Artist Sarah Morris’s latest film Beijing.” Wallpaper 8 November 2010.
Moshayedi, Aram. “Looking Glass.” ArtForum 4 October 2010.
Ballentine, Sandra. “A Tale of Two Houses.” The New York Times Style Magazine Fall 2010: 34.
Butler, Sharon. “Artist Industrial Complex.” Brown Alumni Magazine July/August 2010: 42-3.
Karich, Swantje. “Der Neue Rhythmus”. Frankfurter Allgemeine Zeitung, 10 July 2010
Karich, Swantje. “Neuer Düsseldorfer Rhythmus.” Feuilleton 10 July 2010: 31.
Muller, Bertram. “Sarah Morris – Hornisse.” Rheinische Post 10 July 2010.
Somers, Thierry. “Sarah Morris, Psychology of the Future.” 200% Number 4 2010: 131-150. Kohen, Helena. “It Takes a Village: Key Biscayne’s Public Art”. Home Miami March 2010: 44-45.
“Gelitin, Blind Sculpture.” Time Out New York February 18-24, 2010.


“Portrait of Artist No. 3 Sarah Morris.” Art Review December 2009: 79.
Schjeldahl, Peter. “Galleries—Chelsea: Sarah Morris.” The New Yorker 16 Nov 2009: 10.
Teatini, Manuela. “Sarah Morris.” Vogue Italia Vol. 711: November 2009: 34.
Rappolt, Mark. “The Power 100”. ArtReview November 2009: 122 & 125.
Saltz, Jerry. “Gender Benders: Visionary twists from a magnificent seven.” New York Magazine. October 2009: 58-61.
Morris, Sarah. “Ein Paar Bemerkungen Zum Geschmack Oder Werbung Fur Mich Selbst.” Texte Zur Kunst 75. September 2009: 71-74.
Molinari, Guido. “Sarah Morris / Seth Price.” Flash Art September 2009: 94.
Knowles, Patrick. “Structures of Control.” SOMA Vol. 23.5: August 2009: 46-9.
Rossi, Guido. “Sarah Morris.” 29 July 2009.
Pavone, Cecilia. “Morris-Price.” 15 July 2009.
Gualdoni, Flaminio. “Olimpiadi: le cinepresa per raccontare Pechino.” Corriere della sera. 5 July 2009.
Diez, Renato. “Cerchi e origami da connoisseur. Per le carte di Sarah Morris.” Arte July 2009
Ferrario, Rachele. “Se la Olimpiada diventano arte.” Corriere di Bologna  4 June 2009.
Metz, Erhard. “Sarah Morris: “Gemini Dressage””.  Feuilleton Frankfurt 3 June 2009.
Huther, Christian. “Spiel mit Origami und Olympia.” Mannheimer Morgan  3 June, 2009.
Kothenschulte, Daniel. “Preview: Sarah Morris.” Monopol June 2009: 110-113.
Jurgs, Alexandra. “Gewaltige Bilder.” Prinz. June 2009: 98.
Kreis, Elfi. “Bologna/Frankfurt: Sarah Morris.” Kunstzeitung June 2009.
Huther, Christian. “Im Irrgarten von Pop und Abstraktion.” Grafschafter Nachrichten 30 May 2009.
Voss, Julia. “In einem potemkindschen Dorf.” Frankfurter Allgemeine Zetung 29 May 2009.
“Museum fur Moderne Kunst zeigt Pop-Art-Kunstlerin.” Giebener Allgemeine 29 May 2009.
“Zum Abheben! Sarahs schone Bilder.” Bild Frankfurt 29 May 2009.
Danicke, Sandra. “Es konnte endlos so witergehen.” FrankfurterRundschau 28 May 2009.
Huther, Christian. “Puzzlespiel der Wirklichkeit.” Frankfurter Neue Presse 28 May 2009.
“Frankfurt ehrt Sarah Morris.” Welt Kompakt 28 May 2009.
Affronte, Chiara. “Sarah Morris e Seth Price.” L’Unità 26 May 2009.
Cesare Sughi. “Fra spazio e tempo la arte cambia linguaggio.” Il resto del carlino 26 May 2009.
Carrozzini, Barabar. “Doppio gioco.”  Corriere di Bologna 26 May 2009.
Tancredi, Valeria. “Anteprime de artista.” Il Bologna 26 May 2009.
Naldi, Paola. “Sarah Morris e Seth Price.” La Repubblica 26 May 2009.
Deschka-Hoeck, Katharina. “Die hellen Farben von Peking.” Frankfurter Allgemeine Zetung 25 May 2009.
Laera, Margherita. “Documentare il futuro: Pechino, le Olimpiadi e la fantascienza.” Italian Wired Online 20 May 2009.
Naldi, Paola. “Giochi e pittura ma di getto.” Il giornale dell’arte  May 2009.
Archer, Michael. “Sarah Morris.” Artforum May 2009: 170.
Rappolt, Mark. “Feature: Sarah Morris.” Art Review May 2009: 70-7.
Obrist, Hans Ulrich. “Sarah Morris.” Adam & Eve. March/April/May 2009: 78- 91.


Vanderbilt, Tom. “Empty Nest.” ArtForum December 2008: 242-253.
Rabinowitz, Cay Sophie. “Sarah Morris: An interview.” Art in America December 2008: 146-149.
“The Well Curated Home.” The New York Times Style Magazine Winter 2008: 32.
Browne, Alix. “Breaking the Mold.” The New York Times Style Magazine Winter 2008: 84.
“La Invencion de la Cotidiano.”  La Tempestad Vol. 10, No. 63, Nov/Dec 2008.
Herbert, Martin. “White Cube, London, UK.” Frieze Magazine Issue 119, Nov/Dec 2008: 208.
“5th Annual Prints Review: 1972 Film Poster.” Art on Paper Nov/Dec2008, Vo. 13, No. 2: 68.
“Focus Painting.” Flash Art Nov/Dec 2008: 50-1.
Liebs, Holger. “Abschied und Aufbruch.” Der Süddeutschen Zeitun. 11 Nov 2008, No. 262, V2: 32
Archer, Michael. “Sarah Morris, White Cube.” ArtForum November 2008: 362.
Manager Magazine. “Der Rest der Ruhmreichen.” November 2008: 202
Sansom, Anna. “Olympic Hopeful: The Films and Paintings of Artist Sarah Morris.” Tokion Magazine Fall 2008: 138.
“Sarah Morris.” Sleek Magazine Fall 2008
“Regeneration Games.” Time Out London Aug 14 – 20, 2008: 55.
Banks, Eric. “Seeing Red.” Men’s Vogue August 2008: 114 – 119.
Koolhaas, R., Obrist, H.U. & Bechtler, C. “Sarah Morris: Rings, Origami, Beijing.” Arena Homme+ 29: Summer/Autumn 2008: 258-68.
Turner, Christopher. “Beijing City Symphony.” Modern Painters July/Aug 2008: 56-59.
Schonberger, Thomas. “Kein Plan.” Spex Magazin July/August 2008: 124-126.
Searle, Adrian. “China’s Olympics Light Creative Flame.” July 21, 2008
“Sarah Morris.” Sleek Magazine Summer 2008: 54.
“Kunst: Keine Vision.” Vanity Fair Summer 2008: 94.
Sonna, Birgit. “Gescheiterter Frühling.” NZZ 16 July 2008
“Myself Persönlich.” MySelt July 2008: 206.
Pancotto, di Pier Paolo. “contro il Denaro.” Video & Performance 22 June 2008.
“Die Heiteren Spiele.” Frankfurter Rundschau 14 June 2008.
Chaplin, Julian. “Pre-Partying with the Jet Set of the Art World.” The New York Times 8 June, 2008: ST1., Basel, 5 June 2008, 7 pm – 8 pm
Glogger, Helmut-Maria. “Peking is Ein Braun-beiger Nebel.”Sonntagsblick Magazin 1 June 2008: 54-5.
Giornale, Civita. “Capitale” Economico e Sociale.” Arte1 June 2008.
“Sarah Morris.” Applaus June 2008.
“The Same Urgency in 2008.” Domus Magazine June 2008: 20-4.
“Sonderbeilage Art 39 Basel.” Neue Burcher Zeitung 31 May 2008: SB1.
“Wo Amerika ins Kaleidoskop der Maler Gerät.” Frankfurter Allgemeine Zeitung 30 May 2008: 39.
Cervasio, Stella. “L’arte al tempo deino-global.”Napoli 17 May 2008.
De Stefano, Stefano. “Aglio e miele, e arte al Pan.” Corriere Del Mezzogiorno 17 May 2008.
Ciuceis, Paola D. “Arte e Sistema Economico, una Collettiva al Pan.” Il Mattino 16 May 2008.
“L’impresa dell’arte.” 16 May 2008.
Härpfer, Susanne. “Von verschwundene Akten und wiedergekehrten Erinnerungen.” Telepolis 11 May 2008.
“Die Psychologies der Kunst.” Straubinger Tagblatt  1 May 2008.
Poschardt, Von Ulf. “Dekoration als Vorspel der Politischen Kunst.” Welt am Sonntag 27 April 2008.
Poschardt, Ulf. “Dekoration als Vorspiel der politischen Kunst.” Die Welt 27 April 2008
Liebs, Holger. “Lage 26 warnight gefragt.” Suddeutsche Zeitung 26/27 April 2008: 18
Kluy, Alexander. “Der Psychologe und die Terroristen, Abendzeitung.” 26 April 2008
“Der Psychloge und die Terroristen.” Die Welt  26 April 2008.
“Lage 26 war nicht Gefrat.” Deutsche Zeitung 26 April 2008 .
“Der Mann, der das attentat Voraussagte.” Münchner Merkur  26 April 2008.
“Das Szenario des Scheiterns.” Abendzeitung 25 April 2008.
Sachs, Brita. “Mir fefallt, dass Dr. No das Sagen hat.” Frankfurter Allegemeine Zeitung 25 April 2008: 50.
De Righi, Roberta. Hub, Ralph, “Das Szenario des Scheiterns.” Abendzeitung 25 April 2008: 12.
“Die Spiele der Macht und der Bilder.” Süddeutsche Zeitung 24 April 2008.
Bodin, Claudia. “Adrenalin der Großstadt.” ART Magazin April 2008: 56 – 65.
Kunst Keine Viion April 2008: 94.
“Deutsche Welle.” Art 21 April 2008.
“Adrenalin der Grossstadt.” Art Magazine  April 2008.
Sennert, Kate. “The Artist: Sarah Morris.” Uniqlo: Paper Spring 2008: No. 4, Issue 4.
Fuchs, Dale. “Chasing a Shadowy Imp, Garcia Lorcas Muse.“ New York Times 1 Jan 2008: sE6.
“In der Struktur des Modernen Lebens, Artinside.” Das Museumsmagazin der Basler Zeitung in Zusammernarbeit mit Fondation Beyeler 2008: 20.
Buhr, Elke. Film: Die Heiteren Spiele
Warning, Wilhelm. “Zeitgeschichte aus filmkunstlerischer Perspektive.”


de Looz, Pierre-Alexandre. “China 2008 And other power plays according to Sarah Morris” 032c Winter 2007/08: 96-111.
“OnView: Sarah Morris – Robert Towne.” Public Art Fund Winter 2007.
Hinrichsen, Jens. “Tarantel ode Grashupfer.” Tagesspiegel 24 November 2007.
“Sarah Morris.” Monopol November 2007: 121.
Saltz, Jerry. “Back From the Brink.” New York Magazine 17 Sept 2007: 73.
Esplund, Lance. “Lopsided Shapes.” The New York Sun 26 July 2007, 59159
Suqi, Rima. “As You Leave Please Close the Art Behind You.” New York Times, 5 July 2007, p.D3.
“Sarah Morris.” 3 July 2007.
“Sarah Morris.” The New Yorker 19 March 2007: 42.
Sharp, Chris. “Liam Gillick: Los Angeles.” Wire March 2007: 62.
Carolin, Claire. “All Hawaii Entrees/Lunar Reggae.” The Brooklyn Rail March 2007: 55.
Quaegebeur, Els. “De Stadt Ontroert Altijd.”  PS van de Week 17 Feb 2007: 24-5.
Slyce, John. “all Hawaii eNtrees/LuNar ReGGae.”  ART Monthly Feb 2007: 26-8.
De Corral, Maria. Lane, John R, ed., “Fast Forward.” Dallas Museum of Art 2007: 274.
Thorp, David. “Abstraction: Extracting From the World.” Sheffield Galleries, Millennium Galleries 2007: 8-9.
“Stedelijk Museum CS.” Efflux February 2007.
“Cynicism Beyond Critique”. artpress, Jan 2007: 40-5


“Electric Company.” Art and Auction. December 2006: 133.
“Sarah Morris: Robert Towne.” December 2006.
“New Space.” Pinchuk Art Centre, December 2006
Morris, Sarah. “Cynicism Beyond Critique.” Artpress Nov/Dec/Jan 2006/7: 40-5.
Scott, Andrea. “Painting the Towne.” Time Out New York 30 Nov 2006: 78.
“About: Sarah Morris Robert Towne.” Art X World 7 November 2006.
“Zehn Jahre.” Hamburger Banhof. Museum für Gegenwart Nov 2006: 106.
Jones, Kristin M. “Sarah Morris.” Frieze Nov 2006: 163.
Bleu, Arthur. “A New Contemporary Space in the Center of Kyiv.” Ukrainian Observer Nov 2006.
“Sarah Morris.” The New Yorker 30 Oct 2006.
Chen, Aric. “Look Up, Look Down, Art’s All Around.” The New York Times 19 Oct 2006.
“Workshop series brings art to Key community.” The Miami Herald 8 Oct 2006.
“Ukranian magnate opens Kiev’s first international contemporary art centre.” The Art Newspaper 6 Oct 2006.
Pschak, Evelyn. “Osrams Ahnuni.” 6 Oct 2006.
Verhagen, Marcus. “Nomadism.” Art Monthly October 2006: 7-10.
Zeiger, Mimi. “Towne and City.” Architecture Oct 2006: 14-5.
Wittneven, Katrin. “Im Stadtmuseum.” 30 Sept 2006.
“Sarah Morris: Robert Towne at the Lever House.” 28 Sept 2006.
“Sarah Morris Lever House, Public Art Fund.” 22 Sept 2006.
Cohen, David. “New Art on the Walls—and the Floor and Ceiling Too.” The New York Sun 20 Sept 2006.
Schlesinger, Toni. “Wonderful Towne! Lever House Hosts Homage to Screenwriter.” The New York Observer 18 Sept 2006: 12.
Adams, Mark. “Welcome Back.” New York Magazine 18 Sept 2006: 16.
“Iloczyn zbiorow Kurier.” Plus 16 Sept 2006.
Smith, Roberta. “Power, Injustice, Death, Loss: At Sea in the Here and Now.” The New York Times 1 Sept 2006: E21-5.
Widmann, Tanja. “To Offer You Something.” Texte Zur Kunst Sept 2006: 248-51.
Halle, Howard. “Intervention.” Interior Design September  2006: 335.
Rosen, Jamie. “Tale of Two Cities.” W Magazine September 2006: 404.
Sposato, Bree. “Sarah Morris.” New York Magazine Sept 2006.
“Sarah Morris.” Sept 2006.
“Sarah Morris.” Centre Pompidou Cinema Sept-Nov 2006.
Esplund, Lance. “Bad Timing.” The New York Sun 31 Aug 2006.
“Life, ripe and robust: Exhibits sift and savor it.” Miami Herald 30 July 2006.
Vogel, Carol. “A Screenwriter on a Ceiling.” The New York Times 28 July 2006: B28.
Schutz, Heinz. “Buhne des Lebens Rhetorik des Gefuhls Kunstforum International July-Sept 2006: 358-9.
Rothman, Sabine. “Worth the Wait.” House & Garden June 2006: 64.
“Anish Kapoor and Sarah Morris Public Art Fund Commissions in New York.” Britain USA 31 May 2006.
Goetz, Joachim. “Kunst als Versuchsanordnung.” Straubinger Tagblatt 30 May 2006.
“Sarah Morris: Artists Project.” Esquire Russia May 2006: 128.
“Sarah Morris.” V & A Magazine Spring 2006: 51.
“Sarah Morris: Im Studio ist es moistens still.” Monopol Magazine No. 2: April/May 2006: 34-5.
Chaplin, Julia. “Art Blooms in the California Desert,” 21 April 2006
Gockel, Cornelia. “Showdown im Aufzug.” Frankfurter Rundschau 20 Apr 2006.
Kunstattacken.” In Munchen 11 Apr 2006.
Jones, Jonathan. “Kate Moss and the death of British Art.” The Guardian 14 April 2006: 6-9.
Oliv, Freia, “Vermarktung der Gefuhle.” Munchner Merkur 7 Apr 2006.
Weidemann, Christoph. Suddeutsche Zeitung 6 Apr 2006.
Sachs, Brita. “Ich bin eine Bubenband.” Frankfurter Allgemeine 6 March 2006.
Leffingwell, Edward. “Sarah Morris at Friedrich Petzel.” Art in America March 2006: 152.
Leij, Machteld. “Rimpelloze doeken en een bedachtzame film.” NRC Handelsblad 7 Feb 2006: 10.
Kuizinas, Saulius. “Spuernova:Tolimas Artimas Aidas.” Ulturos Barai Feb 2006: 63.
“Sarah Morris, Stadsportretten.” Museum Tijdschrift Vitrine Feb 2006: 29-32.
Wollrabe, Frans. “Rechtlijnig multimediaal.” Safe Jan/Feb 2006: 58.
Schenke, Menno. “Niets nieuws onder de zon.” Rotterdam Dagblad 28 Jan 2006: 15.
“Sarah Morris: Artist in Focus, IFFR.”, 27 Jan 2006.
Kujpers, Louise. “Amerikaanse ‘Artist in Focus’.” Metro 26 Jan 2006: 20.
Piscaer, Lot. “Ik zie Hollywood al seen grote samenzwering.” The Daily Tiger 26 Jan 2006: 5.
Mik, Edzard. “Honderd procent stedelijke herinnering.” Vrij Nederland 21 Jan 2006: 81-3. Schoonenboom, Merlijn. “De ambtenaar naast Clinton.” de Volkskrant 19 Jan 2006: 22.
Cerniauskaite, Neringa. “Modernizmo superzvaigzd.” Meno Dienos 6 Jan 2006: 8.
Kaiser, Laura Fisher. “A New Dynamic.” Interior Design Magazine Jan 2006: 192-201.
Sardo, Delfim  ed. “Sarah Morris.” Pintura Redux Colrccado de Arte Contemporanea Publico Serralves 2006: 46-7.
“White Cube: One Square Mile.” The City of London 2006
Knol, Meta. “This is America.” Centraal Museum Utrecht, Meulenhoff  2006: 56.
“Ambiance, Mouvement.” De Deux Cotes du Rhin, FRAC Bourgogne 2006: 84.
Mühling, Matthias. “Stage of Life- Rhetorics of Emotion.” Städtische Galerie im Lenbachhaus München 2006: 150.
Keijer, Kees. “Sarah Morris Urban Portraits.” IFFR Catalogue 2006: 208-210.


“Sarah Morris: Herzog & De Meuron: An Exhibition.” Artforum Dec 2005: 107.
“Sarah Morris: Texte Zur Kunst – Edition Heft NR. 60” Texte Zur Kunst 60: December 2005: 240-1.
Soubaigne, Isabelle. “Sarah Morris.” Dec 2005.
Pollack, Barbara. “Corporate Power.” Art + Auction Dec 2005: 114-121.
Stoeber, Michael. “Sarah Morris.” Kunstforum International Nov 2005/Jan 2006: 304-6.
Kane, Florence. “The Final Ten.” Vogue November 2005: 392.
Sausset, Damien. “Bouquet final au Palais de Tokyo.” Connaissance des Arts Nov 2005
La Boulbenne, Xavier. “Paris a la Mode.”, 27 Oct 2005.
Siwanowicz, Ania. “Black Listed.” Self Service 25 Sept 2005: 333.
Farquharson, Alex. “Common People.” Frieze Art Magazine September 2005: 104-7.
Glanz, Alexandra. “Im Disneyland fur kluge Kopfe.” Gottinger Tageblatt Aug 30 2005.
Treier, Heie. “Korgmodernism kolm-kummend aastat hiljem.” Areen 15 Aug 2005.
Huntington, Richard. “A Sampling of Things Abstract, Old and New.” Buffalo News 13 Aug 2005.
Finch, Charlie. “Buffalo Soldier.” Artnet 8 August 2005.
Lutticken, Sven. “Postpolitiek, pop en populisme.” De Witte Raaf July/Aug 2005: 30-1.
Simons, Riki. “Los Angeles-mix.” Elsevier 23 July 2005: 78.
Gaasch, Cynnie. “Juicy Cool.” Artvoice 21July 2005: 18-19.
Huntington, Richard. “To the Extreme.” The Buffalo News 15 July 2005: 20.
“Wood, Film, Glass and Wall Art New at Aldrich.” Danbury News Times Online 3 July 2005
“Cover photo, Detail of ”Los Angeles” film still.” Metropolis M June/July 2005.
“Cover Illustration, KTMSS.” Monopol Magazin June/July 2005.
“Vanishing Point Opens at Wexner Center Galleries.” 24 June 2005
Lorch, Catrin. “Zehntausend Liter Luft fur Jane Austen.” Frankfurter Allgemeine Zeitung, 11 June 2005: 37.
Johnson, Ken. “Everywhere’s the Same: Nowhere in Particular.” The New York Times 3 June 2005.
Gibbs, Michael. “Populism.” Art Monthly June 2005: 22-4.
Casavecchia, Barbara. “La fabbrica dei famosi.” La Rupubblica June 2005: 103-6.
Morris, Sarah. “Artist’s Favourites.” Spike Art Quarterly Summer 2005: 12-13.
Silva, Horacio. “Just Do It Yourself.” The New York Times Magazine 29 May 2005:  46-9.
Petrunia, Paul. “Vanishing Point.” Archinect 21 May 2005,
Schmitz, Edgar. “Pictures of Power.” The Populist, 10 May 2005: 1+.
Smallenburg, Sandra. “Kunstenaars reageren op populisme.” NRC Haandelsblad 6 May 2005.
Kaal, Ron. “Mooi voor de massa.” HP/de Tijd May 2005: 78-82.
Fujimori, Manami. “A Circus at My Table.” Vogue Nippon May 2005:  26-7.
Mauricio, Gustavo. “The Monaco Fountains.” La Isla Times Apr 2005: 1-16.
Coen, Jessica. ed., Gawker, Web Blog, March 8, 2005,
Howlett, Margaret. “Mondrian’s Legacy.” Scholastic Art March 2005: 11.
Saltz, Jerry. “We Are Theirs.” The Village Voice 23 March 2005: 80.
Schambelan, Elizabeth. “Extra!: New Film.” V Magazine Issue 33, Spring 2005.
Verini, James. “Gossip, It Seems, Is Now Unprintable.” The New York Times 27 Feb 2005.
Kunitz, Daniel. “Gallery-Going.” The New York Sun 24 Feb 2005: 21.
Meltzer, Marisa. “Pulse: LA Confidential.” New York Post 19 Feb 2005: 25.
Westerbeke, Julia. “Hot Shots.” Time Out New York 17 Feb 2005:  58.
Wilson, Eric. “Oscar Through a Different Lens.” The New York Times Front Row 15 Feb 2005: B7.
Smith, Roberta. “Corporate Taste in Art and the Art of Donation.” The New York Times Arts & Design 4 Feb 2005.
“I Want That One: Fashion, Art and Music News.” i-D February 2005: 78.
Kazanjian, Dodie. “Hollywood Ending.” Vogue February 2005: 138.
Clover, Jenny. “A Waif’s Progress.” The Observer 30 Jan 2005.
Ricupero, Christina. Larsen, Lars Bang, Schafhausen, Nicolaus, eds., “Populism.” Stedelijk Museum Bulletin: 51-55.
Grenier, Catherine. “Destruction, Big Bang, Destruction et Creation.” dans L’art du 20 siècle 2005: 41-3.


Buck, Louisa. “Miami Through the Artist’s Eye- and Tastebuds.” The Art Newspaper 1 Dec 2004: 6.
Young, Paul. “Oscar Night Insight.” Vlife, Dec/Jan 2005: 38
Graw, Isabelle. “Der Letzte Schrei.” Texte Zur Kunst Dec 2004: 84.
Petronio, Ezra & Moisdon, Stephanie, “Bar Nothing by Sarah Morris.” Self Service Issue No. 21: Fall/Winter 2004: 302-15.
Lorch, Catrin. “Drei Minuten konnen ein Leben sein.” Monopol Oct/Nov 2004: 118-23.
Rebhandl, Bert. “Drei Minuten bis zur Ahnlichkeit.” Der Standard 25 Oct 2004.
Ackermann, Tim. “Facelifting für Hollywood.” Taz 7 Oct 2004.
Müller, Vanessa. “Im Dickicht der Farben.”Der Tagesspiegel 2 Oct 2004.
Hubner, Klaus. “3’.” Westzeit Nettel Oct 2004.
Gordillo, Luis. “La pintura? Bien, gracias.” Exit Express Oct 2004: 9
Niewalda, Sebrina. “10 3 minute Films From 10 International Artist.”, Oct 2004.
Roman, Shari. “That’s Entertainment.” Filmmaker Vol. 13, No.1:  Fall 2004: 8.
Nowak, Christine. “Hollywoods Alltag und andere Zwischenwelten.” Offenbach Post 30 Sept 2004: 27.
Dawson, Jessica. “Married, With Art.” The Washington Post 23 Sept 2004: C01
Rushmer, Becky. “Sarah Morris: Los Angeles.” Blueprint No. 221, July 2004: 102.
“Sarah Morris: Los Angeles.” AXM July 2004: 79.
Garnett, Daisy. “In Vogue.” Vogue July 2004: 93.
“Basel on my Mind: Sarah Morris.” Monopol No. 2, June/July 2004: 18.
Wainwright, Jean. “Sarah Morris” Interview. Audio Arts, Vol. 22. Tate, London, June 2004. [CD 2, track 1]
“Umfrage: Have You Been Thinking of Leaving New York Lately and Why?” Texte Zur Kunst June 2004: 105-6.
Hackworth, Nick. “Into the Belly of the Beast.” Dazed and Confused Vol. 2, Issue 14: June 2004: 138-41.
Güner, Fisun. “The Grid and the Good.” Metro 7 June 2004: 26 .
Hackworth, Nick. “City of Angels Captured in a Riot of Colour.” Evening Standard 9 June 2004: 51.
Wood, Gaby. “Deconstruction Worker.” Harpers & Queen June 2004: 128-33.
Coomer, Martin. “Parallel Lines.” Elle June 2004: 52.
Oddy, Jason. “Machine-Powered Pictures.” Modern Painters Vol.17 No. 2: Summer 2004: 103-5.
Wood, Gaby. “Cinéma Vérité.” The Observer Magazine 23 May 2004: 22-7.
Siegel, Katy. “Hollywood Unveiled.”  Art Review May 2004: 68-75.
Warnecke, Thomas. “Schirn-Shorts.” Schnitt April 2004.
Guy Nicchols, Matthew. “Sarah Morris at Friedrich Petzel.” Art in America April 2004: 129-30.
Gauthier, Michel. “Abstract City.” Les Cahiers Spring 2004: 34-53.
Sample, Hilary. “Maintenance Architecture.” Praxis Issue 6, 2004: 106-13.
Farr, Christopher. “Sarah Morris.” Icon Issue 10 February 2004.
Mette, Sandbye. “Kunstrevy.” Weekendavisen 12 February 2004.
Nielsen, Toke. “Maleri pa sporet af et motiv.” Information 3 February 2004
“Fortsat En Passion for Storbyer Det Skersonda Jyllandspoten.” Morgenavis 31 January 2004 .
“Leg Med Kunst, Maleri af Sarah Morris.” Femina 30 January 2004: 38.
“Den amerikanske overdadighed Storbyens puls.” Kristeligt Dagblad 23 January 2004.
Hornung, Peter Michael. “Portraet af samfundet der aldrig sover.” Politiken 23 Jan 2004.
“Event of the Week: Sarah Morris at Kunstforeningen.” In & Out The Copenhagen Post Guide   (cover) 15 Jan 2004.
Scavenius, Bente. “Taet pa storbyernes rum og larm.” Borsen 14 Jan 2004.
Kristensen, Pernille. “Anker I magtens korridorer.” Kunst and Kultur 12 Jan 2004.
“Sarah Morris I Kobenhavn.” Borsen 2 Jan 2004.
Pollack, Barbara. “The Catalysts.” ArtReview 2004: 67.
Wagner, Thomas. “Wer Kurzer Dreht, hat Langer recht.” Frankfurter Allgemeine: 37.
Grassner, Hubertus.Preface”. Moving energies # 02 1, Museum Folkwang Essen 2004.
“Sarah Morris.” 20 Years of Parkett, Part III, Parkett No. 72, 2004.


“Sarah Morris, Project Room.” Tema Celeste Nov/Dec 2003: 82-7.
“Sarah Morris.” The New Yorker 15 Dec 2003: 26.
“Sarah Morris.” The New Yorker 8 Dec 2003: 33.
Schmitz, Rudolf. “Bangemachen Gilt Nicht.” Suddeutche Zeitung 18 Nov 2003.
Jansen, Gregor. “Adorno im Kunstverein.” Kunst-Bulletin 12 Nov 2003.
Holroyd, Alex. “A Colourful Celebration.” Morning Star 3 Nov 2003.
Nowak, Christine. “Kunst von Adornos Theorien Beflugelt.” Offenbach Post, 30 Oct 2003.
Peschke, Marc. “Die Schwierigkeit, Nein zu Sagen.”, Der Wochenplaner für Frankfurt und Rhein-Main Frankfurt 23-29 Oct 2003.
Willfuhr, Corinna. “Adorno Kommt Gut An.” Frankfurter Rundschau 28 Oct 2003.
Hierholzer, Michael. “Die Sehnsucht Nach dem Verschwundenen.” Faz-Sonntagszeitung 26 Oct 2003.
Aiden, Rose. “Brush with Fame.” The Observer Review 12 Oct 2003: 5.
Anke, Snoek. “Adorno Blijft Kunstenaars Inspireren.” Filosofie Magazine Oct 2003.
Pisano, Hortense. “Radikal Minimal.” Journal Frankfurt Oct 2003.
Keats, Jonathon. “The Art of Architecture.” Dwell September 2003: 116-122.
Werneburg, Brigitte. “IchNnenne es Strategische Odipale.”  Tazmag 26 July 2003.
Laub, Gillian. “Private Viewing.” Self Service No. 18, Spring/Summer 2003: 158-59.
Sanders, Charlotte. “The Frock of the New.” British Vogue. May 2003: 222-23.
“Swimming Pool.” French Vogue May 2003: 52.
“Style: Vision On.” British Vogue May 2003: 67.
Colard, Jean-Max. “Sim City.” Les Inrockuptibles #387, 30 April – 6 May 2003: 76-7.
Tremblay, Nicolas. “Pool Position,” Numéro No. 42, April 2003: 68
“Gleaming the Cube.” V No. 22, March/April 2003.
Denny, Ned. “Variety Show.” New Statesman 17 March 2003: 4.
Darwent, Charles. “You Could Call it Post-Op, but ‘Aimless’ Would Do.” The Independent on Sunday 12 March 2003: 10A.
Gayford, Martin. “All Things Bright and Banal.” The Sunday Telegraph 2 March 2003.
Herbert, Martin. “Days like These: Tate Triennial Exhibition of Contemporary British Art.” 2003 Art Monthly March 2003: 264-265.
Dorment, Richard. “Serious Pleasure.” The Daily Telegraph 26 Feb 2003.
Searle, Adrian. “There’s Nothing Gentle about Days Like These.” The Guardian 25 Feb 2003: 13.
“London Tate Britain: Days like these.” Contemporary 47/48: 40-1.


Parker, Lauren. “Tale of Two Cities.” Smock Winter 2002.
Aidin, Rose. “Sarah Morris.” Elle Decor Dec/Jan 2002: 68-72.
Fraser, Nathalie. “Jeu de Piste.” Numéro No. 39, Dec/Jan 2002/03: 42-3.
Dunlop, Beth. “Artist Captures Essence of Miami, A City in Motion.” Miami Herald 15 Dec 2002: 3m.
“Sarah Morris at Miami MoCA.” The Miami Herald 1 Dec 2002.
Kinsman, Chloe. “Urban Abstraction.” Royal Wings November-December 2002: 19.
Conner, Martin. “Rapture.” Time Out London 6-13 Nov 2002.
Karcher, Eva. “Utopia Am Pool.” German Vogue Nov 2002: 171-2.
“Books: Style Press.” British Vogue Nov 2002: 69.
Smith, Roberta. “Clare Woods.” The New York Times 21 Oct 2002.
“Rapture.” Design Week 10 Oct 2002.
Smith, Roberta. “Torben Giehler.” The New York Times 4 Oct 2002.
“Focus Painting Part One: Sarah Morris.” Flash Art October 2002: 83.
“Art Loves Fashion.” Loaded Magazine October 2002.
“Pure Rapture.” International Textiles Sept 2002.
Richards, Kristina. “Hot-Colored Cashmeres.” Harper’s Bazaar Aug 2002: 85.
Smith, Roberta. “Europe Shows the Staying Power of Painting.” The New York Times 21 July 2002.
Jothady, Manisha. “The Construction of Sarah Morris.” Frame Number 12, Summer 2002: 42-7.
Israel, Nico. “XXV Bienal De Sao Paulo.” ArtForum Summer 2002: 171-2.
Aidin, Rose. “Something’s Afoot.” Telegraph Magazine 11 May 2002: 64-67.
Luz, Kathrin. “Hymnen ans Adrenalin, Hommagen an die Elektrizitat.” Frame April/May 2002: 94-100.
“Observer: Fine Art for Work’s Sake.” Financial Times 19 April 2002.
“Normative Krafte.” Der Standard 15 April 2002.
“Cinecity: The Films of Sarah Morris.” Washington City Paper 5 April 2002: 106.
Montague, Jemima. “Urgent Painting.” Frieze #66, April 2002: 88-89.
Desso, Howe. O’Sullivan, Michael. “Morris’s Cityscapes.” Washington Post Weekend 29 March 2002.
Bouruet-Aubertot, Veronique. “Urgent Painting.” Beaux Arts Magazine March 2002.
von Karcher, Eva. “Travel: Miami Beach.” Art Investor March 2002: 92-8.
Smith, Roberta. “The Armory Show, Grown Up and in Love With Color.” The New York Times 22 Feb 2002: E38.
Pe-Win, Stella. “Urban Grids.” The Cambridge Student 21 Feb 2002: 32
Grenon, Ariane. La France Catholique 8 Feb 2002: 26-7.
Vettese, Angela. “Oltre lo Steccato della Pittura si o Pittura.” No Il Sole – 24 Ore 3 Feb 2002.
“After Andy: Ten Artists Discuss The Significance of Warhol For Them.” Contemporary Feb 2002: 32-9.
Michelon, Olivier. “Un Debrayage Bienvenu.” Journal des Arts 25 Jan – 7 Feb 2002.
Regnie, Philippe. “Attention Peinture!” Journal des Arts 25 Jan – 7 Feb 2002.
Dagen, Philippe. “L’Urgent Painting avec Precipitation.” Le Monde 25 Jan 2002 .
Pakesch, Peter. “After Reality.” Painting on the Move 2002: 218-230.
Mahrzan, Alexander. “Kunsthalle: Statt Selbstbehauptung Waltet die
Bestimmtheit.” Basler Zeitung: 45-46.


Bethenod, Martin. “Le Portrait de MRCLBRNT.” Connaissance des Arts #587, Oct 2001: 102-9.
Johnson, Ken. “Crystal.” The New York Times 21 Dec 2001.
Aidin, Rose. “Sarah Morris.” Elle Decor, Dec 2001: 68-72
“If You Could Have Any Five Artworks for Your Home, What Would you Choose?” Frieze Nov/ Dec 2001: 75.
Klein, Jennie. “It’s A Beautiful Morning.” New Art Examiner Nov-Dec 2001: 75-81.
Rindge, Debora. “Reviews SouthWest: SantaFe.” Art Papers Nov-Dec 2001.
Dee Mitchell, Charles. “Making the Case for Pleasure.” Art in America Nov 2001: 122-9.
De Righi, Roberta. Liebesperlen und Bandnudeln, AZ, 31 October 2001.
Grockel, Cornelia. “Im Sog des Kirschroten Mundes.” Suddeutsche Zeitung 29 Oct 2001: 16.
Erfle, Anne. “Mit dem Dung von Elefanten.” Suddeutsche Zeitung Extra 25 Oct 2001.
Von Astrid, Mayerle. “Die Malerei Kehrt Zuruck.” Die Welt 25 Oct 2001.
Dattenberger, Simone. “Mit Strahlender Vitalitat.” Munchner Merkur 23 Oct 2001.
Kempkes, Anke. “Sarah Morris.” Frieze No. 62, Oct 2001: 100-1.
Duncan, Michael. “Beau Monde: Towards a Redeemed Cosmopolitanism.” ArtForum Oct 2001: 153-4.
Harris, Susan. “Beau Monde: Towards a Redeemed Cosmopolitanism.” Tema Celeste Sept/ Oct 2001.
Imdahl, Georg. “Wo Häuser zu Phantomen Verschwimmen: Saisonstart in Köln.” FAZ 15 Sept 2001.
Boecker, Susanna. “Abstraktion von Lebensräumen.” Kölner Stadtanzeiger 21-27 Sept 2001.
Frangenberg, Frank. “Die Welt im Minimalen Raster.” Kölner Stadtanzeiger 8-9 Sept 2001
“Sarah Morris.” ZOO Sept 2001: 144
Kuhn, Nicola. “Big City Fascination.” The Berlin Journal No. 2, Summer 2001: 22.
Rizk, Mysoon. “Comfort.” New Art Examiner July/Aug 2001: 90.
Troncy, Eric. “Leurs héros.” Numéro 25: July-August 2001: 94-105.
Lehnart, Ilona. “Hier Wirkt Auch Die Gegenwart Historisch.” Frankfurter Allgemeine Zeitung 9 June 2001.
Daniels, Corinna. “Rastlos in der Grossen Rasterstadt.” Die Welt 4 June 2001.
“Der Charme der Pappbecher-Helden.” Focus No. 23, 2 June 2001: 120.
Von Kuhn, Nicola. “Betörungen Großstadt.” Der Tagesspiegel Kultur 2 June 2001: 25.
Thiem, Anne. “WohlstrukturiertesChaos.” Berliner Morgenpost 1 June 2001: 19.
“Berlin Liegt Leider Nicht in Amerika.” Berliner Zeitung 1 June 2001.
Spaid, Susan. “Comfort.” Artext June 2001: 82-3.
Peden, Paul. “Hybrids.” [a-n] Magazine June 2001.
Godfrey, Tony. “Exhibition Reviews.” Burlington Magazine June 2001: 390-392.
Morris, Sarah. “Like This Cherry.” Texte Zur Kunst 42: June 2001: 134-9.
“Hybrids.” Tema Celeste May/June 2001.
Gleisser, Benjamin. “Center of Attention.” Northern Ohio Live May 2001.
Ryan, David. “Hybrids.” Art Press No. 269, May 2001: 75-6.
Siekkinen, Riitta. Maalaustaide Risteytyy ja Ajankohtaistuu.” Kaleva May 2001.
Cowan, Amber. “Hybrids.” The New York Times 31 April 2001: 1F.
Hornbrook, Kathy. “Museum of Contemporary Art reclaiming ‘Comfort’ Zone.” The Plain Dealer  27 April 2001.
“Pushing the Boundaries of Art.” Wrexham Evening Reader 25 April 2001.
Handley, Malcolm. “Room for Excitement in Potent Color Mix.” Daily Post 19 April 2001.
Clark, Robert. “Hybrids.” The Guardian 18 April 2001.
Darwent, Charles. “Crossover Canvases Dressed Up as Film? That’s not Painting, It’s Panic.” The Independent on Sunday 15 April 2001.
Litt, Steven. “A Spunky Vision of Domestic Future in the Modern Age.” The Plain Dealer
Key, Philip. “A Thoroughly Modern Mix.” Daily Post 6 April 2001.
“Hybrids.” North West What’s On April 2001.
Shave, Stuart. “You Must Curate!”, i-D No. 208, April 2001: 203.
Chapman, Miles. “Jenny and the Amazing Technicolor GuestHouse.” Elle Décor April 2001: 192-197.
Dannatt, Adrian. “Let Them Eat Art.” The Art Newspaper  April 2001: 15.
“Hybrids.” Merseyside Arts March/April 2001.
“The Future of Comfort.” Flash Art March/April 2001: 50.
Yannopoulos, Charles. “Digital Discomfort.”, 29 March 2001.
Herbert, Martin. “Playing Amongst the Ruins.” TimeOut London 21-28 March 2001: 50.
Max, Douglas. “Utter Cold Comfort.” Cleveland Free Times 14 – 20 March 2001: 26.
“Number 4.” Artivents 6 March 2001.
“Comfort.” Dwell March 2001.
Troncy, Eric. “Époque Épique et Pop.” Numéro #21, March 2001: 185-95.
“Sarah Morris and the Zurich Kosmos Laser Beam.” Flash Art January – February 2001: 52.
Kosmos, Zurich. “Laserart.” Frame Jan/Feb 2001.
“Thrifty Tips.” Vogue January 2001: 68.
Mayer, Anite. “Wein: Sarah Morris Steigt aufs Dach.” Kunstzeitung Jan 2001: 19.


Geerling, Let. “Geschilderde Natuurbeelden.” Metropolis M Dec/Jan 2000/2001: 24-8.
“Zeichen Setzen.” Top Gewinn Dec 2000.
Birnbaum, Daniel. “What If: Art on the Verge of Architecture and Design.” ArtForum Dec 2000: 143.
“Laser-Kunst in der Lasallestrasse.” Bezirksjournal Dec 2000.
Cosgrave, Bronwyn. “A Fashion for Female Painters.” Harvey Nicols Magazine Winter 2000: 35-36.
Morris, Sarah. “Tyre” Zing Winter 2000: 115-6.
“Twisted.” Witte Raaf Nov/Dec 2000.
Hunt, David. “When Worlds Collide.” Time Out 16 – 23 Nov 2000: 81.
“Up on the Roof with Sarah.” Austria Today 7 – 13 Nov: 9.
Spijkerman, Sandra. “Beeldende Kunst.” Trouw 1 Nov 2000: 17.
“Twisted.” Vitrine Nov 2000.
Baldon, Diana. “Sarah Morris.” Tema Celeste Oct-Dec 2000: 91.
Grzonka, Patricia. “Clever and Smart.” Profil 23 Oct 2000: 182-4.
Kattenberg, Peter. “Kunstmatige Schilderkunst.” Financieele Dagblad 14 Oct 2000: 27
M.V. “Carp Kunst.” Carp 10 Oct 2000.
Herbstreuth, Peter. “Angriff an der Oberflache.” Berliner Tagesspiegel 7 Oct 2000.
“Twisted.” Expats Magazine 6 Oct 2000: 40.
S.B. “Limo Chic.” British Vogue Oct 2000: 40.
“Know Your Lobsters.” POP Autumn/Winter 2000/01: 180-1.
Jothady, Manisha. “Sarah Morris.” Frame September 2000: 127.
Stierner, Flora. “De tijdgeest Betrapt.” Algemeen Dagblad 26 Sept 2000: 29.
“Twisted.” Weekblad Voor Deurne 9 Sept 2000.
“Sarah Morris: Texte Zur Kunst – Edition Heft NR. 39.” Texte Zur Kunst September 2000: 126-7.
MacRictchie, Lynn. “Style for Style’s Sake.” Financial Times 12-13 Aug 2000.
Herbert, Martin. “Sarah Morris.” Time Out 2 – 9 Aug 2000: 50.
Cosgrave, Bronwyn. “Desert Storm.” British Vogue Aug 2000: 164-167.
Überblick, Peter Jens. “Ein and Koerver, New Painting.” Frame July/Aug 2000: 40.
Buck, Louisa. “Sarah Morris.” The Art Newspaper July/Aug 2000: 71.
Grant, Simon. “Lost and Vague in Las Vegas.” Evening Standard 21 July 2000.
Morley, Simon. “Two Painters and a Fresh Attempt at Subversion.” The Independent on Sunday 16 July 2000: Culture  4.
Allfree, Claire. “Sarah Morris.” Metro 10 July 2000: 18.
Gayford, Martin. “Viva Las Vegas!” The Independent Magazine 8 July 2000: 30-1.
Herbstreuth, Peter. “Megastructuren urbaner Raume.” Kunst-Bulletin July 2000: 14-9.
Buys, Sara. “Don’t Miss.” British Vogue July 2000: 31.
“Sept Façons de Voir Kate Moss.” PHOTO July 2000: 20.
Basting, Barbara. “Aus der Grossen Jukebox.” Frankfurter Allgemeine Zeitung 24 June 2000: 55.
Graw, Isabelle. “Glänzend in die Moderne Verwickelt.” Die Tageszeitung 16 June 2000: 15.
“Hysterisch Sexualisiert.” Züritipp Tages Anzeiger 8 June 2000: 56.
Moore, Margaret. “Sarah Morris.” Hemispheres June 2000: 90-5.
Graw, Isabelle, “Learning from Fashion.” Make #88, June 2000: 18-9.
Karcher, Eva. “Die Jungen Bunten.” German Vogue June 2000: 62-4.
“Vienna: Sarah Morris, AUA.” Skylines June 2000.
Troncy, Eric. “Pop Star.” Numéro No. 13, May 2000: 168-173.
“Konst Design och Arkitektur.” Upsala Nya Tidning 4 May 2000.
Hedberg, Hans. “What If.” The Nordic Art Review no. 5, May 2000.
Picardie, Justine. “Creating Kate.” British Vogue May 2000: 158-171.
O’Connell, Alex. “Moss is Muse for Brit Art Pack.” The Times 15 April 2000: 9+.
Pesch, Martin, “Sarah Morris.” Kunstforum April/June 2000: 425-6.
Eberl, Robert. “Die Raster-Queen.” International Spring 2000: 110-5.
A.K., “Talking Fashion.” Vogue March 2000.
Dailey, Meghan. “Sarah Morris.” ArtForum March 2000: 130.
Kuhn, Nicola. “Selbstporträt in Sandaletten.” Der Tagespiegel 27 Feb 2000: 25.
Cotter, Holland. “With a Nervy Sense of Today.” The New York Times 25 Feb 2000.
Neubaur, Caroline. “Ankerplatz fur US-Intelligenz.” Focus Feb 2000: 138-141.
T.S., “Fetische der Grosstadt.” Art Feb 2000: 85.
Von Heydebreck, Amelie. “Dichten und Forschen am Wannsee.” Berliner Zeitung 28 Jan 2000.
Tatlow, Kirsten. “American Academy stellt Frühjahrsprogramm 2000 vor.” 28 January 2000.
Bennett, Oliver. “Midtown – HBO/Grace.” The Independent Magazine 1 Jan 2000: 6.
Lintzel, Aram. “Hier ist Noch Niemand fit for Fun.” Frankfurter Allgemeine Zeitung: BS3


Scott, Andrea. “Sarah Morris.” The New Yorker 20 Dec 1999: 18.
Saltz, Jerry. “Out of the Fog.” The Village Voice Dec 1999.
Graw, Isabelle. “Bilderstreit.” Texte Zur Kunst Dec 1999: 194-7.
Smith, Roberta. “Sarah Morris.” The New York Times 26 Nov 1999: E41.
Fiedler, Tanja. “Jägerin der Codes.” Berliner Morgenpost 2 Nov 1999: 23.
Hunt, Jemima. “For Your Eyes Only.” British Vogue Oct 1999: 64-67.
Lubbbke, Maren. “Aufnahmen.” Camera Austria #66: 118
Kuhn, Nicola. “Visuelle Ode an den Flimmer.” Der Tagespiegel 16 Sept 1999: A6.
Pryde, Josephine. “Corporate Chic.” Text Zur Kunst No. 35 September 1999: 306-11.
Caniglia, Julia. “Frieze.” ArtForum Sept 1999: 171-2.
Cosgrave, Bronwyn. “It’s Show Time.” British Vogue Sept 1999: 148.
Troncy, Eric. “Les Enfants d’Andy Warhol.” Numéro 4 June 1999: 150-5.
Elwes, Catherine. “Sarah Morris.” Art Monthly June 1999: 226-227.
Heathcote, Graham. “Mysteries of Life Bind.” The Herald Sun 28 May 1999: 2.
Searle, Adrian. “Life Thru a Lens.” The Guardian 4 May 1999, G2: 12-3.
“A Couple of Swells.” British Esquire May 1999: 176.
Shave, Stuart. “Up For It.” i-D No. 186 May 1999: 90.
Peacocke, Helen. “Bold Grids of Color.” The Oxford Times 16 April 1999: 17.
Farquharson, Alex. “Painting Lab.” Art Monthly No. 225 April 1999: 34-6.
Morrison, Paul. “Bonjour Monsieur Caufield.”  Contemporary Visual Arts No. 22:  26-32.
Gisbourne, Mark. “I Love New York.” Contemporary Visual Arts No. 2: 77.
Graf, Isabelle. “Lieblose Liebeserklärung.” Texte Zur Kunst March 1999.
O’Neill, Lorcan. “Generation XX.” Numéro 1 March 1999: 196-201.
Gunther Theil, Wolf. “Berlin Culture Discovers Style.” Flash Art #205, March 1999: 96-9.
British Vogue February 1999.
Heinz-Jocks, Norbert. “Sarah Morris – New York als Extrakt.” Kunstforum Jan 1999: 342.
“Aktuelle Malerei.” Noema Jan – March 1999: 107.
Sladen, Mark. “Painting Lab.” Contemporary Visual Arts Issue 21: 32-37.
Packer, William. “Dumb by Name But Not by Nature, Financial Times.” 12 January 1999.
Morley, Simon. “The Painted Word.” Contemporary Visual Arts #23: 22-7.
Tozer, John. “Sarah Morris.” Contemporary Visual Arts #23: 62.
Art Press #245: 10.
Lübke, Maren. “Aufnahmen.” Camera Austria #66: 118


Collings, Matthew. “Diary Modern Painters.” Winter 1998.
Hilton, Tim. “Dumb, Dumber, and Dumbest.” The Independent on Sunday 13 Dec 1998.
Byrne, Richard. “Exit Poll.” The Independent 12 Dec 1998.
Kent, Sarah. “Dumb and Dumber.” Time Out 9 – 16 Dec 1998.
Benjamin, Marina. “Meet The Dumbpop Pack.” Evening Standard 2 Dec 1998: 35.
Luz, Kathrin. “Pop, Plop, Ex und Hopp.” Die Ziet 12 Nov 1998: 59.
Haase, Amine. “Kunst aud der Disko-Treppe.” Kölner Stadt-Anzeiger 6 Nov 1998.
Negrotti, Rosanna. “States of Mind.” What’s On 7 Oct 1998.
‘In Safe Hands.” i-D Oct 1998.
Packer, William. “The Pointlessness of Irony.” Financial Times 16 Sept 1998.
Gayford, Martin. “The Art Game.” The Spectator 12 Sept 1998: 48.
Farel, Zena. “All the Young Guns.” Arts 11 Sept 1998.
Coomer, Martin. “Young at Art” Time Out 9 – 16 Sept 1998: 51.
“Young Americans 2.” The Times 5 Sept 1998: 5.
Sakuramoto, Yuzo. “Jungk.” Music No.2. 1998.
Crabtree, Amanda. “Maladie Imaginaire?” Art Monthly April 1998: 7.
Holmqvist, Karl. “Hospital.” Flash Art #199, March/April 1998: 79.


Werneburg, Brigitte. “The Good Beuys.” Taz 20 – 21 Dec 1997.
Tannert, Christopher. “Zwischen Hospital.” Berliner Zeitung 20 – 21 Dec 1997.
Fiedler, Tanja. “Auf dem Pappbett endet die Sehnsucht.” Morgenpost 12 Dec 1997.
“Schwarzwaldklinik.” Ticket 11 Dec 1997.
‘The Apartment.” Elle Decoration Dec 1997: 76-83.
Gauville, Herve. “Les Murs de l’Expo Ont la Parole.” Liberation 20 Nov 1997: 29.
Morris, Sarah. “Ersatz.” Dazed & Confused October 1997: 130-5.
Morris, Sarah. “Black.” Self Service October 1997
Casadio, Mariuccia. “Spooky Pop.” Vogue Italia Oct 1997: 574-561.
Saville, Peter, Morris, Sarah. “Ersatz.” Dazed & Confused #35, Oct 1997: 130-135
Gunther Thiel, Wolf. “Found Footage.” Flash Art May 1997: 75.
Kornbluth, Jesse. “Is South Beach Big Enough For Two Hotel Kings?” New York Times 16 Feb 1997: 53.
de Jonge, Peter. “The Rubells in Miami.” Harper’s Bazaar Feb 1997: 204-9, 223.
“Exporama.” Art Press Feb 1997:16.
Troncy, Eric. “Sarah Morris.” Flash Art Jan 1997, No. 192: 103.
Goumarre, Laurent. “Homogeneite et Feminisme.” Jan 1997, No.3: 58.


Gillick, Liam. “Future Intense.” Documents Sur L’art Winter 1996/97, No.10: 40.
Rubell, Jennifer. “Two Girls on the Phone.” Documents sur L’art Winter 1996/97, No.10: 40-7.
Core, Yan. “Sarah Morris, Liar.” Technikart No.7, Nov 1996: 18.
Morris, Sarah. “Permanent Food.” Specific Object No. 2 1996: 143 & 173.
Kent, Sarah. “Sarah Morris.” Time Out 20-27 March 1996: 53.
“Donuts.” LS 7 March 1996.
Morris, Sarah. “Permanent Food.” Specific Object 1996: 143


McKinley, Jr., James. “For Artists There’s No Art in a Wrecking Ball.” New York Times 20 Dec 1994: B1.
Budney, Jen. “Sarah Morris.” Flash Art Oct 1994: 96.
Ashenberg, Katherine. The New York Times June 1994: 14.

1993 and earlier

Filipovna, Valerie. “Psychos.” Paper Nov 1993: 22.
“New York: Home Alone.” Flash Art No. 170  May/June 1993: 108.
Seward, Keith. “Sarah Morris.” ArtForum Dec 1992: 93.
“The Question of Gender in Art: Sarah Morris.” Tema Celeste Autumn 1992: 65-66.
Smith, Roberta. “The Curio Shop.” The New York Times 3 July 1992.
Morris, Sarah. “Citizens.” Balcon No. 8-9 1992: 249-258
Joseph, Regina. “Morris & Overman: Postmasters.” Artscribe International N. 85 Jan/Feb 1991: 82.
Ewen, Stuart. “The Public Eye.” ArtForum Jan 1991: 27-28.
Mahoney, Robert. “Reconnaissance.” Tema Celeste N. 27-28 Nov/Dec 1990: 70-1.
Reschop, Julia. “Reconnaissance.” Paper May 1990.
“Sarah Morris and Jeff Koons (Interview)” Galeries Magazine April/May 1990: 126-133.
Morris, Sarah. “Collins & Milazzo.” Flash Art No. 149 Nov/Dec 1989: 168-176.
DeCurtis, Anthony. “Postmodern Romance.” Rolling Stone 23 March 1989: 145-148.
Morris, Sarah. “Cynical Culture” and “Vision & Visuality.” Defunct! Magazine Feb 1989: 5-6.
Morris, Sarah. “A Project for Blam.” Blam 1993
Morris, Sarah. “A Letter”. Pataphysics, May 1993
Morris, Sarah. “Citizens”, Balcon 8/9 1992: 249-258
Morris, Sarah. “Twenty Seconds Close-Up.” Tema Celeste Oct 1992: 65-6

Public Collections

Albright-Knox Art Gallery, Buffalo
American Express
Berardo Collection, Sintra, Portugal
Beyeler Stiftung, Basel
British Council, London
Centre d’Art Contemporain, Le Consortium, Dijon
Centre Pompidou, Paris
Collection La Gaia, Busca
Cooper Hewitt Smithsonian Design Museum
Cornell Fine Arts Museum at Rollins College, Florida
Dallas Museum of Art, Dallas
DekaBank, Frankfurt
Fondation Louis Vuitton, Paris
Fondazione Prada, Milan
F.R.A.C. Bourgone, Dijon
F.R.A.C. Poitou-Charentes
Galerie fur Zeitgenossiche Kunst, Leipzig
Government Art Collection, London
Solomon R. Guggenheim Museum, New York
Solomon R. Guggenheim Museum, Abu Dhabi
Hamburger Bahnhof, Museum fur Gegenwart, Berlin
Istanbul Modern Sanat Müzesi, Istanbul
Jumex Museum, Ciudad de Mexico
Kunsthalle Bremen, Bremen
Kunstmuseum Ravensburg, Ravensburg
Kunstmuseum Wolfsburg, Wolfsburg
Städtische Galerie im Lenbachhaus, Munich
Luma Foundation, Arles
Mead Art Museum, Amherst
Miami Art Museum
Mora Foundation, London
Museo de Arte Contemporáneo Buenos Aires
Musee d’Art Moderne de la Ville de Paris
Museum of Contemporary Art of San Diego
Museum of Modern Art, New York
Museum fur Moderne Kunst, Frankfurt
Nakanoshima Museum of Art, Osaka
National Museum of Women in the Arts, Washington, D.C.
National Gallery of Victoria, Melbourne
Neue Nationalgalerie im Hamburger Bahnhof, Berlin
New Orleans Museum, New Orleans
Paine Webber Collection, New York
Rollins College, Winter Park
Saastamoinen Foundation Art Collection, Espoo Museum of Modern Art, Espoo
Saatchi Collection, London
Sammlung DaimlerChrysler, Berlin
Sammlung Goetz, Munich
Sammlung Hoffmann, Berlin
San Francisco Museum of Modern Art, San Francisco
Schaulager, Basel
Stedelijk Museum, Amsterdam
Stuttgart Museum of Modern Art
Tate Modern, London
UBS Collection, New York
University of Cambridge, Jesus College, Cambridge
Victoria and Albert Museum, London
Yale Center for British Art, New Haven