“Reality is its own ideology [Sound Graph]”, 2019, Household gloss paint on canvas 214 x 214cm
“Machines do not make us into Machines [Sound Graph]”, 2019, Household gloss paint on canvas, 214 x 214cm
Installation view, Machines do not make us into Machines, 2019, White Cube, New York
“Ataraxia [Sound Graph]”, 2018, Household gloss paint on canvas, 60 x 60cm
“Bad City [Sound Graph]”, 2019, Household gloss paint on canvas, 214 x 214cm
“Aggressivity and Thinking [Sound Graph]”, 2019, Household gloss paint on canvas, 122 x 122cm
“So in a sense it’s abstract as no painting will ever be [Sound Graph 3]”, 2017, Household gloss paint on canvas, Each panel: 214 x 214cm, Combined: 214 x 428cm
“Bad School [Sound Graph]”, 2018, Household gloss paint on canvas, 214 x 214cm
Installation view, Machines do not make us into Machines, 2019, White Cube, New York
“The Building as a Pretext [Sound Graph]”, 2019, Household gloss paint on canvas, 214 x 214cm
“Family and Authority [Sound Graph]”, 2019, Household gloss paint on canvas, 152.5 x 152.5cm
“A Crate of Champagne [Sound Graph]”, 2019, Household gloss paint on canvas, 214 x 214cm
“In a Grand National Pact [Sound Graph]”, 2019, Household gloss paint on canvas, 214 x 214cm
Installation view, Today we find ourselves at an impasse, 2019, Fortes D’Aloia & Gabriel – Carpinataria, Rio de Janeiro
Installation view, Your Words Become Mine, 2018, Galerie Meyer Kainer, Vienna
Morris Sarah
Morris Sarah
Morris